This year I have the great privilege of getting to cover lots of the Camden Fringe shows, my only regret is that I can’t see them all (literally impossible, so many shows running, Londoners check it out, it is a treasure trove of varied goodies).
CAMDEN FRINGE NEWS: Hit Brighton Fringe drama The Geminus comes to Tristan Bates Theatre
Following an award-nominated run at the Brighton Fringe earlier this year, Blue Devil Productions’ dark romance The Geminus comes to London’s Tristan Bates Theatre as part of the Camden Fringe 2019. Book you tickets now!
‘Deserves to be seen by as wide an audience as possible’: CLASS – Bush Theatre
Class, a play from Ireland co-written and directed by Iseult Golden and David Horan, is set around a teacher-parent meeting in a Dublin primary school.
REVIEW ROUND-UP: Class at the Bush Theatre
Love London Love Culture rounds up the reviews for Iseult Golden and David Horan’s play Class at the Bush Theatre until 1 June 2019.
‘Sometimes funny & witty, occasionally tense’: CLASS – Bush Theatre
Class at the Bush Theatre layers marital tensions with social class tensions and the pressures of being a teacher and learning.
Text of the Day: Daisy Pulls It Off
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
Text of the Day: FCUK’D
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
‘Is Britain’s welfare system unfit for purpose?’: FCUK’D – Bunker Theatre
Bye, bye UK City of Culture, this monologue is about the Hull that celebrations have forgotten.
‘Thought-provoking, playful & fun’: MISALLIANCE – Orange Tree Theatre
George Bernard Shaw was a theatrical superman. A critical attack dog as well as a creator of problem plays both pleasant and unpleasant, he invented the drama of ideas.
DAISY PULLS IT OFF – Park Theatre
This spirited, age-blind revival at the Park Theatre of Denise Deegan’s 1983 girls’ boarding school classic is a bit too boisterous for its own good.
WITNESS FOR THE PROSECUTION – London County Hall
This site-specific version is a bit of a gimmick, and while one part of me yearns for the play to be allowed to speak for itself, another just relishes the novelty of this revival’s setting. So what’s the verdict? Guilty of being a good night out.
ALBION – Almeida Theatre
Albion begins with Audrey, played with indefatigable energy by Victoria Hamilton, in the garden of her deceased uncle’s family home, deep in the English countryside. She has bought the property, which boasts a historic 1920s garden, now much overgrown, which a First World War veteran once formed into a pastoral paradise fit for heroes.
KILLOLOGY – Royal Court
Owen fields three characters: Paul, smarmy son of an industrialist, has invented a game, Killology, in which players torture their victims. Sounds gross enough, but Paul has given it an extra dimension: you score more points depending on how creative you are in your torturing.
DON JUAN IN SOHO – West End
Updating the classics is not without its pitfalls. How can a modern audience, which has a completely different set of religious beliefs, relate to a 17th-century morality tale in which the lead character behaves badly, and I mean really badly, but gets his comeuppance by being roasted in hell fire?
RUN THE BEAST DOWN – Finborough Theatre
Run the Beast Down, which runs in rep with Carmen Nasr’s Dubailand. Run the Beast Down is a solo show in which actor Ben Aldridge performs a 90-minute monologue about Charlie, a young man who is in bad trouble.
DEAD FUNNY – West End
Why is comedy, in the words of the cliché, such a serious business? One reason is that what we laugh at says a lot about who we are as a nation; another is that the simple “joy of laughter” drowns out the anxieties of life’s little, and not so little, agonies.
WHERE DO LITTLE BIRDS GO? – Old Red Lion Theatre
New play about a young working-class woman’s experiences in 1960s London is small, but inspirational.
FURY – Soho Theatre
New drama about a desperate single mother is powerfully written and raises some disturbing issues.
Text of the Day: Boy
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
LAWRENCE AFTER ARABIA – Hampstead Theatre
Howard Brenton’s new study of desert warrior T E Lawrence is more like a frustrating mirage than a nourishing oasis.
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