Writer/director P Burton-Morgan and composer Ben Glasstone have developed a pair of characters in Cells who build their stories in song as they see the reflection of self in each other.
Vibrant and heartfelt, this cast recording of the music from In The Willows, the hip hop take based on The Wind in the Willows, highlights a great musical to get children into musical theatre.
Andrew Lincoln brings a real gravitas to proceedings in A Christmas Carol, anchoring the production and delivering a performance of variety and skill that will leave you hoping he returns to the stage more often in the future.
Hackney Empire today announced Jack and the Beanstalk, which was previously scheduled to open in December 2020, will now open in December 2021, marking the 22nd pantomime at the East End venue.
Jennifer Saunders will reprise her role as Mother Superior in select performances for the UK tour of Sister Act The Musical.
Andrew Lincoln will star as Ebenezer Scrooge in this year’s Old Vic: In Camera version of Jack Thorne’s A Christmas Carol from 12-24 December 2020.
Hello Harry!, an online concert celebrating the incredible 40-year career of Harry Gabriel, the Shaftesbury Theatre’s Stage Door Keeper, was an absolute ray of sunshine.
Harry Gabriel is one of those unsung heroes in theatreland: the stage door keeper. Part surrogate parent, part nurse, part firm friend, they are the conduit between front and back of house, cast and crew, performer and fan.
In forty years at the Sha…
Susie McKenna’s highly accomplished and atmospheric production of Blues in the Night is filled with heaps of personality and heart that is reflected in the stunning performances from all of the cast.
Who could have predicted that Kenneth Grahame’s genteel Edwardian tale about riverbanks and hot buttered toast would translate so well to Metta Theatre’s grime infused retelling? I went in sceptical; I came out converted by one of the freshest, most original pieces of theatre I’ve seen this year.
Sweet Charity, Josie Rourke’s farewell production at the Donmar Warehouse which stars Anne-Marie Duff as Charity and Arthur Darvill as Oscar, appears to have charmed the majority of our Mates, with a few reservations here and there. The musical continues until 8 June 2019.
Nowhere near enough charm in this Sweet Charity for my liking. Josie Rourke’s farewell to the Donmar Warehouse is grey rather than silver.
This isn’t the Wind in the Willows by Alan Bennett or Disney. In Metta Theatre’s cheeky, exuberant hip-hop musical version, Kenneth Grahame’s oar-plashing sylvan tale is kidnapped by the unruly class at The Willows school, next to the rough Wildwood Estate where the Weasel gang rule.
Multiple guest actors will play the role of Daddy Brubeck in Josie Rourke’s production of Sweet Charity at the Donmar Warehouse including Shaq Taylor, Adrian Lester, Le Gateau Chocolat, Beverley Knight and Clive Rowe with further casting to be announced.
Writer/director Susie McKenna delivers her 20th festive production – Aladdin – with a show that captures the diversity of her London patch, yet cleverly avoids cultural appropriation and all the while managing to maintain the joyous irreverence that makes pantomime such a glorious British Christmas tradition.
Gamblers, gangsters and nightclub singers mingle together in 1950s New York in Guys & Dolls, Frank Loesser, Jo Swerling and Abe Burrows’ ‘musical fable of Broadway’, which returned to London in concert form for just three performances at the Royal Albert Hall.
This semi-staged concert performance of Frank Loesser’s classic musical Guys & Dolls fully captures the spirit of the story and the characters that leaves you beaming from ear to ear.
Lara Pulver, Stephen Mangan, Sharon D. Clarke and Paul Nicholas will join the cast of Guys and Dolls at the Royal Albert Hall, running for three performances from 19-20 October 2018.
Hackney Empire has announced the return of Olivier Award-nominated actress, television star and comedian Tameka Empson (EastEnders, The Big Life, 3 Non Blondes) for its landmark 20th-anniversary pantomime from writer and director Susie McKenna this Christmas.
Me and My Girl’s politics may be of the dark ages – but its ability to put grins on faces and set toes tapping is the mark of a modern show that knows how to please its audience.
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