View Post

CONSENT – National Theatre

In London theatre, Opinion, Plays, Reviews by Aleks SierzLeave a Comment

Rape is such a serious social issue that it’s hardly surprising that several recent plays have tackled it. I’m thinking of Gary Owen’s Violence and Son, James Fritz’s Four Minutes Twelve Seconds and Evan Placey’s Consensual. All of these discuss, whether implicitly or explicitly, the notion of consent, which is the name of playwright and director Nina Raine’s latest drama about the subject.

View Post

CIRCUS DIARIES at #edfirnge: Closer by Circa

In Cabaret, Circus, Edinburgh Festival, Features, Festivals, Opinion, Regional theatre, Reviews, Scotland, Touring by Katharine KavanaghLeave a Comment

In 2013, Circa won a Total Theatre ‘Significant Contribution’ Award at Edinburgh Fringe, for pushing the boundaries of what 21st Century circus can look like. Their offering this year, Closer, takes some of the material from last year’s Close Up, and repackages it into a fine example of classic Circa that, whilst not expanding into new territories, showcases what the company do best.

View Post

CLOSER – Udderbelly

In Circus, Dance, London theatre, Opinion, Reviews by Laura KresslyLeave a Comment

Five performers gleefully throw themselves around the stage inside Southbank’s upside down purple cow. Displays of tumbling, trapeze and acrobatics abound, but what makes Australian company Circa’s show different from other circus isn’t their physical skill. Closer is full of unadulterated joy and celebration of human intimacy. Personality is on show as much as circus skills are, and Closer is a powerful reminder to share our emotions with those around us because it feels great to connect with others.


In London theatre, Plays, Reviews by Libby PurvesLeave a Comment

NEW-GENERATION GUEST REVIEWER LUKE JONES UNIMPRESSED BY MARBER REVIVAL There were a lot of jokes about strippers’ arseholes.  Almost entirely for the joy of saying ‘strippers’ arseholes’. Was that funny in 1997? Half the audience seemed to remember why. But, … Continue reading →