Mike Bartlett is very prolific, but this Restoration-style satire on society at London’s Lyric Hammersmith is sadly timid and predictable.
‘The intimate moments are so credible it feels borderline voyeuristic sat in the audience’: COCK – West End
Watching Mike Bartlett’s play Cock today, it seems strange to think that it was actually written 13 years ago, as it covers themes that are so resonant with life in 2022.
‘This is an entertainment that is lit up by the excellence of its acting’: COCK – West End
Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has proved to be a magnet for star casting.
‘Mike Bartlett’s play continues to fascinate & challenge’: COCK – West End
Theatre has always been a place to explore identity by using different character perspectives to consider points of view, social structures or inherited notions of what an individual can and should be.
Screen fame may be a major driver of ticket prices, but the breadth of British acting talent is vast
Television and big screen fame is a major driver for West End producers. Opened last week are Taron Egerton and Jonathan Bailey in a new production of Mike Bartlett’s COCK, and the lowest ticket price is £65, with the bulk at £100 or more, so it also translates to big prices.
‘Taron Egerton is utterly at home in the theatre’: COCK – West End ★★★★
Mike Bartlett’s mischievous, half-earnest play is about a gay man wrestling with his identity (and his furious partner) after falling for a woman. Who he loves both as a person and – to his confusion – as an anatomy. It’s clever to revive it in this even more gender-anxious time.
‘Entertaining enough’: COCK – Chichester Festival Theatre
Cock is by no means classic Mike Bartlett but it is still great fun and, for connoisseurs of supreme social awkwardness in particular, a decently entertaining hour and a half.
‘Visceral, electrifying & still provocative’: COCK – Chichester Festival Theatre ★★★★★
I was enthralled by this fiery revival of Cock which may have lost its initial shock value in the intervening, increasingly liberated, years, but is still capable of being moving, comical and daring thanks to Bartlett’s blistering dialogue.
Caroline Quentin, Rufus Hound & Penelope Keith line up for Chichester Festival Theatre 2018 season
Chichester Festival Theatre’s Festival 2018 season, announced today, will feature new plays by Laura Wade and Charlotte Jones and revivals of Michael Frayn’s Copenhagen and musical Flowers For Mrs Harris.