Andrew Scott, Sharon D. Clarke, Juliet Stevenson, Sam Tutty and Hammed Animashaun have won the top acting honours at the 2019 Critics’ Circle Theatre Awards.
As the Olivier Award-winning Best New Musical Come From Away enters its second year in the West End, it welcomes new cast members from 10 February 2020.
And so here it is… my top 10 musicals of the decade. It turned out to be a slightly emotional journey. But it turns out musicals meant a lot in that time and I’ll fight anyone who says musicals aren’t a serious artform.
Emma Clarendon selects her favourite theatre productions of the year…
Here’s our Top 10 list for 2019 with three musicals – Come From Away, Curve’s West Side Story and the touring production of Amelie dominating the top spots.
Shortlists have been announced for the 65th annual Evening Standard Theatre Awards ceremony, which will take place on Sunday 24 November 2019 at the London Coliseum.
Offering the pure joy of musical theatre at its unadulterated best, Come from Away is a breathless celebration of the finest qualities of humanity.
Come From Away, the story of how one small town, Gander in Newfoundland, responded to events of 9/11 when 7,000 passengers from 38 diverted aircraft landed in their midst, is one of the most joyous experiences you’ll encounter in the theatre.
I’m not one for twee, saccharine niceness, but the simple, honest goodness that runs through Come From Away is something that I can get on board with.
This year’s Olivier Awards winners certainly highlighted the wonderful diversity in theatre this year – now can we please broadcast the full ceremony?
Come From Away, Company and The Inheritance led the way with four awards each at the Olivier Awards 2019 with Mastercard, announced at a ceremony tonight (Sunday 7 April) at London’s Royal Albert Hall, hosted by Jason Manford.
Full details of presenters, performances and special appearances have been announced for the Olivier Awards 2019 with Mastercard, which takes place on Sunday 7 April at the Royal Albert Hall, hosted by Jason Manford.
Musicals Company and Come From Away top the Olivier Awards 2019 nominations with nine nods each, while The Inheritance is the most recognised play with eight nominations. The ceremony takes place on Sunday 7 April at the Royal Albert Hall, hosted by Jason Manford.
Come From Away is a show that needs to run and run; its brilliant music and wealth of humour are enough to keep you coming back for more, and we can never remind ourselves too many times of the good that humanity is capable of when it puts its mind to it.
I could have written a rave review of Come from Away. But what I couldn’t get out of my head was how important a piece it feels in terms of recording history. As a former history teacher, and as an academic who looks at theatre’s response to real-world events… I wrote an essay instead.
Come From Away tells the incredible true story of how the residents of Gander, Newfoundland welcomed the 7,000 passengers of planes from around the world, due to the American air space being closed after 9/11.
Come From Away at the Phoenix Theatre is unquestionably wonderfully performed, but its schmaltzy set pieces fail to move.
The highly anticipated musical Come From Away leaves me dry-eyed at the Phoenix Theatre despite a very strong cast.
Come From Away is a funny, moving and uplifting new musical by Irene Sankoff and David Hein. Having won Best Musical awards across North America, the show now arrives in London where, if there’s any justice, it’ll prove to be just as successful.
One amazing story in Come From Away is that of Nick and Diane Marson who met on a diverted plane and fell unexpectedly in love. Editor, Olivia, got to chat to Nick and Diane about the show alongside their actor counterparts, Robert Hands and Helen Hobson…
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