After DC Moore’s flawed Common comes Mullarkey’s similarly flawed Saint George and the Dragon. Taking the myth of George, the legendary dragon slayer and rescuer of damsels in distress, the playwright wraps the folktale in the flag of our nation’s story.
Over the past few years where he may or may not have been studying sculpture at Saint Martin’s College, Northampton-born playwright DC Moore has been putting together a résumé of quietly impressive work – exploring aspects of contemporary masculinity in insightful plays such as the excellent Straight and under-rated monologue Honest, or opening up his focus to the war in Afghanistan in The Empire and family dramas in The Swan.
Lost village girl Mary comes home to her beloved Laura after a lifetime of sin in “that devil-town London”, but finds – well – that’s the problem. This play by DC Moore, part lesbian Catherine Cookson fantasy, part undead horror slasher, via a Wicker Man of the woods and fields, isn’t actually about much at all.
The National Theatre has announced programme details for its new season running from April to November 2017. In addition to the two inbound political plays heading for the West End – the European premiere of Broadway hit Oslo and the staged reading All the President’s Men? – Scenes from the U.S. Senate’s Confirmation Hearings, reported here – highlights include: Jane Eyre returns, following an acclaimed …