Scottish hit Pride & Prejudice* (*sort of), written by Isobel McArthur after Jane Austen, will transfer to the West End’s Criterion Theatre for an open-ended run, previewing from 15 October and opening on 2 November 2021.
Love London Love Culture round up the reviews for this popular musical based on the film, now playing at the Criterion Theatre until 25 September 2021.
The music, big choruses and goodnatured showbiz of elegant ensemble scene-changes in Michael Fentiman’s production of Amelie somehow makes the tale of the sweet-natured waitress (who interferes in everyone’s life while blind to her own needs) genuinely work.
For the show to lure a nervous (but now fully vaccinated – yay!) me back to the theatre after nearly 15 months, it’s hard to imagine more soothing fare than Amelie The Musical.
The exceptional company for Amelie at the Criterion Theatre is superbly led by a captivating Audrey Brisson, at once vulnerable and determined, in the title role, bringing heart as well as serious craft to its enveloping warmth.
Nimax Theatres, the Criterion Theatre, Young Vic and Chichester Festival Theatre are among the 2,700 organisations being offered nearly £400 million in grants and loans as part of the CultureRecovery Fund’s second tranche of funding.
Following its successful Christmas season at The Other Palace in 2019, a Grammy nomination and three Olivier Award nominations, Amélie The Musical arrives at the West End’s Criterion Theatre from 20 May 2021.
What fun to return to the Criterion Theatre to see a brand-new cast put their stamp on Mischief Theatre’s The Comedy About A Bank Robbery, as the first in a series of monthly post-show Q&As with the comic geniuses. Watch the full discussion.
As part of her ongoing post-show Q&A programme, and the first in a monthly Mischief Theatre series, Mates co-founder Terri Paddock returns to the Criterion Theatre for smash-and-grab hit The Comedy About A Bank Robbery, now in its third year with a new cast of convicts. Got any questions?
After The Play That Goes Wrong, I closed out #MischiefMay last month, celebrating the world-dominating achievements of the comedy masters at Mischief Theatre, with my second of two post-show Q&As to the company’s two current West End hits.
As part of her ongoing post-show Q&A series and this month’s #MischiefMay celebrations, on Thursday 30 May 2019, a week after her The Play That Goes Wrong event, Mates co-founder Terri Paddock talks to the West End company of smash-and-grab hit The Comedy About a Bank Robbery. Got any questions?
Now in its third year at the Criterion Theatre, Mischief Theatre’s third show is still as lively and funny as ever.
Jack Baldwin spoke to Love London Love Culture’s Emma Clarendon about being part of Mischief Theatre’s The Comedy About a Bank Robbery.
As the play celebrates its second anniversary, The Comedy About a Bank Robbery’s continued popularity simply proves that everyone loves a good dose of comedy.
It’s a happy 2nd birthday to Mischief Theatre’s The Comedy About a Bank Robbery, the laugh-a-minute farce has just announced an extension that will see it into its third year entertaining crowds in Piccadilly Circus.
If it’s an evening of high-brow culture you are after then The Comedy About a Bank Robbery is definitely is not the show for you, but if you want to just sit back and watch a bit of silliness then this will tick the right boxes.
Sam Fogell spoke to Love London Love Culture about appearing in The Comedy About a Bank Robbery at the Criterion Theatre, London.
Actress Jenny Augen, an award winner for her West End role in the hit comedy Bad Jews, will make her Mischief Theatre debut when she joins the cast of The Comedy About a Bank Robbery at the Criterion Theatre this spring.
Love London Love Culture has been to see lots of high quality productions this year – here’s the top 20 picks.
Having officially opened at the Criterion almost a year ago, it is reassuring to see that The Comedy About a Bank Robbery is still as hilarious as ever – thanks to a number of scene changes and more jokes than ever that allows the new cast to make the roles completely their own.
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