Live theatre will return to Leicester as Curve announces plans to reopen to the public from 23 November 2020. The theatre, which was forced to close on 16 March, will open again this autumn for re-imagined, socially distanced concert performances of acclaimed Made at Curve productions, using the building’s unique theatre design.
More than 1,300 arts and cultural organisations have benefited from a share of £257 million as part of a vital financial boost from the Government’s £1.57 billion Culture Recovery Fund.
This production of The Phantom of the Opera is spectacular in the truest sense and even the most curmudgeonly of spectators will find something to enthuse over.
Frantic Assembly’s new show I Think We Are Alone is thematically coherent, but the writing is too explicit and the staging too static.
Here’s our Top 10 list for 2019 with three musicals – Come From Away, Curve’s West Side Story and the touring production of Amelie dominating the top spots.
Nikolai Foster and co. have wrung West Side Story for every last drop of emotion, intellect and topicality. It has been given the full blooded revival it merits and I would love to see this production have further life beyond this initial run.
Electrifying dancing, beautiful singing and wonderful acting, if you want to treat yourself to something really special this Christmas, get a ticket for West Side Story at Curve Leicester.
In a co-production with Belgrade Theatre Coventry, Everyman Theatre Cheltenham and Leeds Playhouse, Nikolai Foster and the Curve company’s adaptation of My Beautiful Laundrette has shone a spotlight on the wrongs of yesteryear at a time when, more than ever before in my lifetime, the country seems to be in a state of sinfully wilful regression.
The list of nominees has been revealed for this year’s UK Theatre Awards, the only nationwide awards to honour and celebrate outstanding achievements in theatre throughout England, Scotland, Wales and Northern Ireland. Best New Play nominees are Laura Wade’s The Watsons, Ulster American by David Ireland and Life Of Pi, adapted by Lolita Chakrabarti from Yann Martel’s novel, while Best Musical …
The Entertainer is an interesting state-of-the-nation play, and although a period piece, it’s undeniably a prescient time to revive it.
Best of the Blogs: The Mates give their verdicts on Appropriate, The Doctor, Cabaret & more.
Neil Tennant and Chris Lowe of iconic British pop duo Pet Shop Boys have composed original music for the upcoming stage adaptation of Hanif Kureishi’s My Beautiful Laundrette, creating music to bring the 80s-set drama to life.
A brand new production of the musical Sister Act, starring Brenda Edwards, will open at Curve Leicester on 21 April 2020, where it will play until 2 May, ahead of further UK venues and a London season. More details and full creative team to be announced soon.
Celie’s journey from despair to belief, love and hope is, in T’Shan Williams’ hands, a believable and rewarding experience in The Color Purple.
Curve Leicester’s Chris Stafford and Nikolai Foster and Birmingham Hippodrome’s Fiona Allan have stated that Seyi Omooba, due to play Celie in the theatres’ forthcoming co-production of The Color Purple, will no longer be involved in the show.
I’m delighted to say that Emma Reeves’ new stage adaptation loses none of The Worst Witch’s gleeful mayhem and enchantment.
Made at Curve production of Irving Berlin’s White Christmas will transfer to London’s Dominion Theatre from 15 November 2019 to 4 January 2020, with a press night on 25 November.
From catchy tunes and magical turns to a solid moral lesson for kiddies to learn, Suba Das has created a joyous show in The Cat in the Hat, I urge, families, friends and theatre-lovers to go.
With White Christmas, Curve has yet again produced a classy production filled with yuletide magic and enough fluffy escapism to warm hearts on these cold winter nights.
Suba Das, currently associate director of the Curve, Leicester, has been appointed as the next artistic director of HighTide.
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