There’s no question that, apart from his undoubted brilliance as a composer of instantly memorable melodies, Andrew Lloyd Webber’s greatest gift is as (self) publicist. He’s just wonderful at getting people to speak about him and his shows; and thereby promote them.
Welcome to our first 2021 round-up of digital shows available for you to watch in the next few weeks.
From large-scale musicals to Zoom experiences, student showcases to the Bard, film and comedy, children’s theatre to audio pieces, storytelling to…
Scores of productions devised to comply with social distancing have become casualties of the national lockdown that will run for one month from 5 November to 2 December 2020 in response to the continuing Coronavirus crisis.
Live theatre will return to Leicester as Curve announces plans to reopen to the public from 23 November 2020. The theatre, which was forced to close on 16 March, will open again this autumn for re-imagined, socially distanced concert performances of acclaimed Made at Curve productions, using the building’s unique theatre design.
Nikolai Foster’s 2016 production of Grease returns to Curve as part of a major tour, and, while it doesn’t quite have the pizzazz of three years ago, the show remains a solid, thoughtful and energetic version of a much loved classic.
Following a sold-out eight-week run at Curve, the first new production in 25 years of Jim Jacobs and Warren Casey’s musical Grease will tour the UK and Ireland in 2019, directed by Nikolai Foster and choreographed by Arlene Phillips and starring Peter Andre as Teen Angel at certain performances.
Against the odds, The Secret Diary of Adrian Mole Aged 13¾ is an energetic, sharp and witty triumph. I say ‘against the odds’ because, in the over-extended franchise Olympics, Adrian Mole would be in a straight fight with Bridget Jones for the right to lose to Harry Potter in the final.
Curve today announces casting for its Christmas production of hit musical Grease. Dex Lee and Jessica Paul lead the cast as Danny Zuko and Sandy Dumbrowski.
Reviews digest of openings in London, Leicester and Leeds from national critics for new productions of Linda, Funny Girl, The Girls, Oliver!, Barbarians and Macbeth.
I make up with Robert Lindsay and meet with the wonderful Mark Rylance, but I have more mixed emotions about Harvey Fierstein, even as I’ve seen three shows connected to him in the space of six days.