Cush Jumbo’s Hamlet has been a long time in the making. In fact, what with the pandemic and the Young Vic’s long lead times for shows (which allow for some serious forward planning), I booked my tickets around three years ago.
One of the pleasures — but also the risks — of being a theatre critic is that you come first to a new production, ready to form your own opinions on what you’ve seen, before you’ve already encountered or digested the opinions of others.
Cush Jumbo is excellent, and there’s a great Ophelia, but do we really need another Hamlet? Three hours plus at the Young Vic will soon tell you
This weekly column keeps track of the shows that are coming back, or are newly being announced, as theatres start reopening from tonight (17 May) in London and at other theatres in the UK.
I’m unashamedly a friend and champion of the theatre; but I can never been a simple cheerleader for it, regardless of the circumstances or my connections with people in a show I’m seeing. As honest critics find out all too often, we’re loved when we love something we see; but that can quickly pivot to becoming the enemy when we don’t.
Young Vic artistic director Kwame Kwei-Armah has announced a new season of work, Welcome Back and Welcome Home, welcoming theatre-makers and audiences back through the doors for the first time since the venues’s 50th Birthday celebrations in October 2020.
This weekly column keeps track of the shows that are coming back, or are newly being announced, as theatres prepare to re-open from next month onwards. It will be updated weekly until such time as it becomes a reality, and from then on will provide a weekly update to that week’s openings and future ones.
Meanwhile, I want to start keeping track of the shows that are coming back, or are newly being announced, in a new feature here that will be updated weekly until such time as it becomes a reality, and from then on will provide a weekly update to that week’s openings and future ones.
In a feature for The Stage earlier in the week, Jessica Korvavos, president of Andrew Lloyd Webber’s Really Useful Group, was asked to sum up the last year: “A year when singing and dancing in public have been against the law? It’s been like a horrible dystopian cross between Footloose and Groundhog Day.”
A Marvellous Party, commissioned by the Noël Coward Foundation, ostensibly marks the centenary of Coward’s first appearance on stage and has been produced to raise funds for actors on both sides of the Atlantic who are struggling with the effects of the pandemic.
Mind the Blog has a fairly wide-ranging wish list of things I hope to see, including major shows such as Sunday in the Park with George, Evita, Magic Goes Wrong, Uncle Vanya and the Jamie Lloyd Company residency at the Playhouse Theatre.
Acting honours go to Andrew Scott & Maggie Smith at the 2019 Evening Standard Theatre Awards while Sweat wins Best Play.
The performing arts have featured strongly in the latest Queen’s birthday honours, with Simon Russell Beale, Olivia Colman, Cush Jumbo, Sheila Atim, Alfie Boe and David Pountney all featuring in the list of recipients.
Highlights of Young Vic artistic director Kwame Kwei-Armah’s programme for 2020 include Cush Jumbo making her Young Vic debut as Hamlet and Academy Award-nominee Ruth Negga as Portia in Marina Carr’s haunting play Portia Coughlan.
News, reviews, interviews, commentary and farewells from London, New York and beyond, including The Stage Debut Awards, Sylvia at the Old Vic and regional openings in Chichester and Bristol.
Anne-Marie Duff and Cush Jumbo star in Jeremy Herrin’s production of DC Moore’s new play now playing at the National Theatre. But what have critics been saying about it?
History is a tricky harlot. She is bought and sold, fought for and thrown over, seduced and betrayed — and always at the mercy of the winners. In a general election week, it is hard to deny that still now we are the progeny of the possessive individualism of previous centuries.
Over the past few years where he may or may not have been studying sculpture at Saint Martin’s College, Northampton-born playwright DC Moore has been putting together a résumé of quietly impressive work – exploring aspects of contemporary masculinity in insightful plays such as the excellent Straight and under-rated monologue Honest, or opening up his focus to the war in Afghanistan in The Empire and family dramas in The Swan.
The final line-up of guest presenters have been announced for this year’s Olivier Awards, which take place this Sunday 9 April 2017 at the Royal Albert Hall.