Following a performance of ANIMAL at the Park Theatre, I was joined by star Christopher John-Slater, playwright Jon Bradfield, cast member Matt Ayleigh, and Joshua Hepple, whose brilliant initial idea made the whole thing happen.
How central are Gertrude, Claudius and Polonius to the story of Hamlet? If you remove those adult characters – the prince’s mother, uncle/stepfather and the father of his one-time girlfriend, respectively – and the scenes that revolve around them, what are you left with?
The death of Queen Elizabeth II was announced just before my arrival at the Lion & Unicorn Theatre. Like the rest of the country, the theatre staff had been braced for the sad news. So the world premiere of Proforca’s Flashbang was preceded by a public address and collective silence.
What is theatre’s role in exploring political and historical subjects? What echoes are there with contemporary events in Europe? Could The End of the Night be staged in Germany today – or in Russia? For this post-show discussion, Terri Paddock explores these issues with playwright Ben Brown and the award-winning journalist, author and academic Professor Kurt Barling.
Rosie Day’s wonderful rollercoaster ride of a debut play Instructions for a Teenage Armageddon, which she also performs, ends with the by-then 16-year-old protagonist writing a letter of advice to her younger self (and younger stepsister).
The premise for the new show is sillier than ever: set (loosely) at Crappersea Dog Pound, the pooches are putting their best paw forward in preparation for the Annual Rehoming Show. Which of them will find a human to accept them into their home?
More than four centuries after William Shakespeare died in 1616, aged 52 on his own birthday (23 April), questions remain about the authorship of his prodigious output – including nearly forty plays and more than 150 sonnets.
As much as it was possible for anyone the arts, Northern Comedy Theatre had a very good pandemic. When all performing arts venues closed, rather than wrap up their work, they ramped up.
More specifically in this story: would you have sex with a stranger if they paid you $1 million? And, for those in relationships, would you be tormented if your partner did?
While its limited run has now finished at the White Bear Theatre, you can still experience the joy of Anton Chekhov’s Vaudevilles care of MyTheatreMates founder Terri Paddock’s post-show discussion. Maybe another revival is on the cards?
Lately is the third new play premiered by and specially created for new writing company Proforca Theatre to be performed at London’s Lion & Unicorn Theatre. Terri Paddock hosts a Q&A.
Five spine-tingling ghost stories are woven into the action on one stormy night in When Darkness Falls, premiering this month at the Park Theatre. All are grounded in folklore from the island of Guernsey, where the play is set and where its co-writer and director Paul Morrissey grew up.
I first fell in love with Once after seeing the original 2007 independent Irish film. Then again when I the Tony Award-winning musical adaptation had its West End premiere in 2013. And now again on the musical’s first major UK tour.
After a sold-out performance of Sinners, I was joined by writer Joshua Sobol, director Brian Cox and stars Nicole Ansari and Adam Sina about the development of this shocking play about a woman, about to be stoned to death, and her lover.
Are you superstitious? The most famous theatrical superstition is, of course, the one about “The Scottish play”. Do the cast of Lazarus Theatre’s new ensemble production believe in curses?
Are you aware of your inherent biases about gender? How much do they affect your judgments about women or men are capable of? What about when it comes to a violent crime?
Have you ever seen Charlie Chaplin’s classic film The Great Dictator? Eighty years after it was released, it feels terrifyingly current. We get a glimpse of why with the inclusion of its final speech in Arrows & Traps’ latest offering.