Local Hero, the Lyceum’s co-production with the Old Vic, has the authenticity and drive one would expect considering the source material, but fails to add much that is new.
The Menier Chocolate Factory has announced the cast for the UK premiere of Gerard Alessandrini’s Spamilton: An American Parody which opens at the theatre on 24 July 2018, with previews from 12 July and runs until 8 September.
I left the Royal Festival Hall, after seeing Sondheim On Sondheim, in awe of the performers, in love with Sondheim’s music and connected to him as a person.
Samantha Barks and Jonathan Bailey are just the latest in a line of musically exquisite, broken-hearted couples to tackle Jason Robert Brown’s song cycle. Remember Lara Pulver and Damian Humbley in the UK premiere? Here’s a pictorial timeline including them and other transatlantic pairings you may recognise.
Apart from my Edinburgh blitz, I like to take August a little slow on the theatregoing front. These few weeks offer a brief respite while many people are away on holiday or still up at the Fringe (which I’m not the slightest bit jealous about – no, really) before the ‘autumn season’ kicks off and […]
There is a great deal of debate over how to define a piece like Jason Robert Brown’s iconic debut work; ‘Songs for a New World’. Some see it as a concept album, a young composer experimenting with snippets from a variety of unfinished or dismissed projects, others see it as a thematic song cycle, a collection of ideas about modernity. But in today’s world where song cycles can all too often be a lazy get-out for a composer looking to stage in his songs in a production that desperately needs a good book, it is refreshing to revisit this finely crafted work in a 20th anniversary staging of the show that truly defined Brown as a master in understanding the human condition.
At a professionally-packed first night for Songs For A New World even long-time theatre diehards were squeaky with anticipation: never before have so many been longing for a ‘decent’ production of their favourite 1995 off-Broadway concept show. And they raved about it, cheering every song and jumping to their feet at the end.