“We in this country,” says the red judge grandly, “Do not have trial by media or by mobs”. Hmm. Tell that to anyone now staring confusedly at the wreckage of reputation and career because an employer’s took instant fright at a Twitterstorm.
Omid Djalili steps up to the pivotal role of Tevye the milkman. Married to Golde and with 5 daughters (3 of marriageable age) Djalili captures a hen-pecked, hardworking weariness of the poor pious family man who dreams of maybe, just a small fortune.
The full company is announced today for FIDDLER ON THE ROOF, running at Chichester Festival Theatre from 10 July to 26 August 2017, led by Omid Djalili and Tracy-Ann Oberman.
Alan Bennett’s Forty Years On is a curious play. His first outing as playwright (back in 1968) is charmingly eccentric, wonderfully witty and every bit a Bennett play. In fact it comes across as if the History Boys stumbled into a production of ‘Oh What a Lovely War’ and decided to join in the fun.
I am inordinately fond of Forty Years On. In only my second ever trip to London, my mother took me to see the original production the year I was fifteen and therefore readily able to identify with the serge-trousered schoolboys it features in their end-of-term entertainment to mark the retirement of a long-serving headmaster.
Further casting has been announced for the opening productions of Chichester Festival Theatre’s 2017 season, FORTY YEARS ON and CAROLINE, OR CHANGE.
Daniel Evans and Rachel Tackley announce Chichester Festival Theatre’s 2017 summer festival season – the first under their leadership as Artistic Director and Executive Director. Highlights include: Chichester’s Festival 2017 embraces classic and contemporary plays and musicals, with headline actors including Sharon D. Clarke, Omid Djalili, Marcia Gay Harden, Ian McKellen, Tracy-Ann Oberman, Brian J. Smith and Richard Wilson New …
In Mark Shenton’s regularly updated list of top ten ticket recommendations, new entries this week include The Spoils, Blue/Orange, The Deep Blue Sea and The Go-Between.
New entries this week are The Invisible Hand at the Tricycle Theatre and The 3 Penny Opera at the Natonal, and its the last chance to see Les Blancs, The Flick and People, Places and Things
Flowers For Mrs Harris marks Daniel Evans’ farewell production at Sheffield’s Crucible and he bows out premiering a musical that is elegant, charming and beautifully crafted.
If Daniel Evans means to leave his acclaimed stewardship of Sheffield Theatre on a flood of tears, he’s chosen the right production for his directorial finale. There were definitely Kleenexes involved. Paul Gallico’s novella was an outlet for a bruised postwar nation, yearning over its clothes-ration coupons for the “ideal of civilized happiness” epitomized by the extravagant ballgowns of the New Look. A widowed charlady is content with her humble lot until she sees, in a rich client’s wardrobe, the marvel that is a Dior dress. She yearns to own one – “to come home to, not to wear”. Inspired by a small pools win, she trebles it with years of slaving, scrimping and squirrelling, and travels naive but determined to Paris.
As he opens Flowers for Mrs Harris – his final production as Artistic Director of Sheffield Theatres, Daniel Evans today announces the cast for the forthcoming regional première of Mike Bartlett’s Contractions. Lisa Blair directs Rose Leslie (Emma) and Sara Stewart (Manager). The production opens on 27 June, with previews from 23 June, and runs until 16 July. ‘Care? Yes. We …
The limited season of Daniel Evans’ five-star Sheffield Crucible production of Show Boat will now play its final West End performance on 27 August 2016. Show Boat began West End previews at the New London Theatre on 9 April 2016, with opening night on 25 April 2016 after which Evans’ production was the recipient of a second set of five-star reviews. It had initially been booking until 7 January 2017.
New entries this week are the return of Funny Girl, transferred from the Menier to the Savoy, and A Midsummer Night’s Dream at the Globe.
From the beginning, what makes this musical so perfect is the way in which it manages to balance between the seriousness and heart-wrenching moments such as when Julie and Steve are forced to leave the show boat due to some ‘questionable’ parentage with some genuinely uplifting and entertaining moments – usually involving Queenie and Joe.
In 1927, Jerome Kern shifted the shape of musical theatre from twee operetta to a tighter fusion of music with drama. He also designed Show Boat as a slap in the face to complacent audiences with its startling opening line ‘Niggers all work on the Mississippi’. In the Daniel Evans’ production which has arrived with bells and whistles and five-star accolades from Sheffield we have a version which is both polished and sanitized.
Show Boat at Sheffield’s Crucible Theatre was the best musical that I saw last year and its London transfer is setting a very high bar for 2016. Daniel Evans’ production, mounted on Lez Brotherston’s spectacularly evocative set doesn’t just reprise one of Broadway’s greatest ever musicals, it recreates America’s Southlands and Midwest at the turn of the 20th century, with a spine-tingling intensity.
Transferring down south after its successful run in Sheffield and directed by Daniel Evans – can the show stay afloat or does it sink? Show Boat is booking at the West End’s New London Theatre until 7 January 2016.
The night after opening in the West End, Daniel Evans Sheffield Crucible production of Show Boat shoots straight into the top slot of Mark Shenton’s regularly updated list of top ten ticket recommendations. What are the other risers and fallers. Follow links to book tickets.
Sheffield Theatres today announces the appointment of Robert Hastie as the company’s new Artistic Director. Hastie takes up the position in July 2016, taking over from Daniel Evans who steps down as Artistic Director at the end of June to join Chichester Festival Theatre. This appointment sees Hastie return to Sheffield Theatres, where he began his professional theatre career as an actor in Edward Bond’s Lear in 2005.