We round up the reviews for Bronagh Lagan’s production of Rags which transfers to the Park Theatre following a run at the Hope Mill theatre last year.
In Rags director Bronagh Lagan has assembled some gifted talent in her Park Theatre company with Carolyn Maitland as Rebecca driving the show.
As part of her ongoing post-show talk series, Mates co-founder Terri Paddock returns to the Park Theatre for Aria Entertainment’s Hope Mill Theatre transfer of Stephen Schwartz’s RAGS The Musical. Got any questions?
Carolyn Maitland, Dave Willetts and Sam Attwater will star as Rebecca, Avram and Bronfman respectively in RAGS The Musical at London’s Park Theatre. The show will run for a limited season from 9 January to 8 February 2020, with a press night on 14 January.
Alice in Wonderland has been incarnated on more occasions than I care to remember, but one thing’s for sure, the story never gets old (in my humble opinion) and the magic, craziness and wonder remains as curious as it did when I first read the book by Lewis Carroll.
Frank Wildhorn, Jack Murphy and Gregory Boyd have created a whole new take on this classic story bringing bang up to date with the musical Wonderland. In this version Alice is a 40-year-old single mum having the worst birthday of her life.
When you first sit down and take in this bizarre but wonderfully performed musical you might think that you literally have gone mad in your own mind with the number of characters passing through and yet by the end you realise it actually made perfect sense. So maybe we are all a bit mad after all.
I first remember seeing Dave Willetts playing The Phantom in The Phantom of The Opera; it was my first real experience of live theatre. So it was nice to catch up and have a chat with this highly respected actor who is currently touring with Wonderland.
Alice is having the Worst Day. The controlling ex she’d have back in a second is getting remarried, her car’s been stolen, she’s got the sack…
Dave Willetts stars in the world premiere of OUT THERE, a new musical by Elliot Davis and former Busted star James Bourne, which runs at London’s new Union Theatre from 21 September to 8 October 2016, with a press night on 23 September. Full cast is announced today.
Casting for the 2017 UK tour of Frank Wildhorn’s Wonderland has been confirmed, including Kerry Ellis, Wendi Peters and Dave Willetts.
How well do you know the work of composer-lyricist Leslie Bricusse? How many songs can you name by this living legend… apart from “Pure Imagination” (and the “Oompa Loompa” theme) from Charlie and the Chocolate Factory. How about, for starters, Bond classics “Goldfinger” and “You Only Live Twice”, “If I Ruled the World”, “What Kind of Fool Am I?”, “The Candy Man”, “This Is the Moment”, “Can You Read My Mind?” (from Superman), “My Old Man’s a Dustman”, “The Pink Panther” and “Talk to the Animals” (from Doctor Doolittle)? And that really is, only for starters.
This was a glamorous night (yes, I know that’s by Ivor Novello): Joan Collins, Petula Clark, Richard Fleeshman, Michael Feinstein, Gloria Hunniford, Nanette Newman, Hayley Mills and Una Stubbs. And that was just the audience – plus Carol Thatcher and Jeffrey Archer for some hideous reason, although it was a great pleasure to see Gyles Brandreth buying their interval drinks because they weren’t on the guest list.
Who can take a set list? Sprinkle it with class……
… as through two hours a delicious cast of 5 chart a course through nigh on 60 of the songs of lyricist Leslie Bricusse. Unashamedly a ‘juke-box musical’, the show marks producer Danielle Tarento’s first foray into that genre, with a combination of both song snatches and entire numbers as Bricusse’s remarkable body of work is referenced and respected.
Final casting has been announced for the World Première of Pure Imagination, which celebrates the songs of Leslie Bricusse, one of the most prolific and well loved film and musical theatre songwriters of our time.
There’s something about Craig Revel Horwood I just don’t like. It may be the introduction of confectionery into a surname that insults my diabetic sensibilities. Perhaps other theatre directors could consider the benefits of an injection of chocolate? Would Nicholas Malteser Hytner, or Trevor Minstrel Nunn be any more successful? It may be the botoxed […]
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