Elton John, Sam Mendes, Christopher Hampton, Natasha Gordon, James Graham, Giles Terera and Stephen Mear are among the list of theatre and showbusiness luminaries who feature in this year’s Queen’s Birthday Honours List.
David Bintley’s choreography for Hobson’s Choice adeptly assists the artists to convey the story clearly, concisely, comically and is remarkable in the extreme.
Beauty & the Beast is certainly a ‘tale as old as time’, and in this beautiful interpretation by Birmingham Royal Ballet the magical relationship between Belle and the Beast appears more captivating than ever.
Birmingham Royal Ballet puts on a truly magical and haunting performance of David Bintley’s Beauty & the Beast.
David Bintley, artistic director since 1995, who is sadly retiring from the Birmingham Royal Ballet this summer choreographed this production of Beauty & the Beast, first staged in 2003.
Birmingham Royal Ballet is delighted to announce that internationally renowned Carlos Acosta has been appointed as its new director. He will take up his appointment in January 2020.
Conjuring up all of the charm, magic and celebration of the fairytale, Birmingham Royal Ballet’s Cinderella is an absolute delight. With David Bintley at the helm, the enchanting story of Cinderella is brought to the stage in a celebration of ballet, childhood stories and the idea that our wildest dreams can come true.
2016 marks four hundred years since the death of William Shakespeare and Birmingham Royal Ballet continue their celebration of the world’s most prolific dramatist with Shakespeare Dream Bill. The production presents three contrasting works, from contemporary to classical, in a Shakespeare-themed feast of balletic brilliance.
Birmingham Royal Ballet Company make a pleasing return to the Lowry in Salford to continue their Shakespeare Season which commemorates the 400 year anniversary since William Shakespeare’s death. There is no better adaptation to bring to the stage then Kenneth MacMillan’s much celebrated classic interpretation of Romeo and Juliet, which is still as fresh and as exhilarating as when it was first performed in 1965.