Mark Shenton offers the week’s news, reviews, quotes and tweets in theatre from both sides of the Atlantic, including an interview with Sonia Friedman, reviews of Shakespeare in three different abbreviated versions, and a YouTube star appearing on Broadway.
Missing is made by the brilliant quality of its performer/dancers as well as Dave Price’s pounding sound-track and Chris Swain and Lahav’s lighting underscoring changes of scene, mood and outcome.
I’ll admit that I seldom go to BAC. But I have always liked — even loved — that it’s there. It’s a major home for emerging theatre companies, and even if I miss them at the beginning of their lives there, I acknowledge that the building has a major role in developing the talent of the future and the future, in turn, of the theatre.
It is here, after all, that my favourite British musical of the century so far — Jerry Springer the Opera — was born. It’s also where the 1927 company, whose show Golem transfers to the West End’s Trafalgar Studios next month, began.
So it was particularly distressing to hear of the fire that engulfed the venue yesterday — and utterly destroyed its venerable 120 year old Grand Hall.