Theatre Royal Bath Productions and Jonathan Church Productions’ critically acclaimed production of David Mamet’s drama Oleanna, directed by Lucy Bailey, will tour the UK this summer from 8 June 2021, visiting Cambridge Arts Theatre (8 June-12 June), Theatre Royal Bath (14 June-3 July), MAST Mayflower Studio Southampton (5 July-10 July) and Malvern Theatres (12 July-17 July), before transferring to the West End’s Arts Theatre from 21 July to 23 October.
Tonight is the first anniversary of the last performances that were given on a Broadway stage; a year ago tomorrow, Six was due to open on Broadway, but that afternoon the governor of New York State, the currently beleaguered Andrew Cuomo, announced that public gatherings of more than 500 people would be immediately suspended.
Theatre Royal Bath will reopen its main house in autumn 2020 with the Welcome Back Season of plays, beginning with Harold Pinter’s Betrayal directed by Jonathan Church from 14 October to 31 October, followed by Michael Frayn’s Copenhagen, directed by Polly Findlay from 4 November to 21 November, and lastly David Mamet’s drama Oleanna directed by Nicole Charles which will run from 25 November to 12 December.
There may be a whiff of sensationalised cliché to this world premiere of Bitter Wheat, but no matter. Mamet’s subject is timely and relevant and Malkovich’s performance is electrifying.
Bitter Wheat, the most controversial play of the year, is almost certainly also going to be the worst.
It could be said that Bitter Wheat lifts the lid on the exploitation of power in the film industry, but it eaves an unpleasant taste in the mouth. Perhaps that was also part of David Mamet’s intention.
Love London Love Culture rounds up the reviews for David Mamet’s latest play Bitter Wheat starring John Malkovich.
Bitter Wheat is not only frustratingly irresponsible in its treatment of the events that led to the #MeToo movement, it is also a poorly constructed drama.
Mark Benton gives a compelling turn as a desperate salesman on the edge in Sam Yates’ revival of David Mamet’s riveting, prize-winning play, Glengarry Glen Ross, now touring.
“Fantastic”, “excellent”, “wicked” – all words that have been used by audiences who have seen Sunrise for the Blind at the Tristan Bates Theatre and have leaped onto social media to share their thoughts about the production. Take a look at the buzz building around the show, then book your tickets for the final few days of the play’s London run.
Lee Lomas comes from the growing breed of performers who is not content to wait for auditions to come around. He’s taken it on himself to step up and create the work he wants to star in and see more of. His latest production, Sunrise for the Blind, comes to Tristan Bates Theatre later this month. Read what he has to say about the show and working class representation on stage in our interview
Described by audiences as “unapologetically honest” and “Shane Meadows-esque” Lee Lomas’ new play, Sunrise for the Blind returns to London at the Tristan Bates Theatre this month. The working-class drama, staged by 1956 Entertainment, plays a limited season from 11-16 February 2019, so get your tickets fast!
I will give Bitter Wheat the benefit of doubt, maybe Mamet will write a sensitive portrayal from the women’s point of view but based on his previous work I am sceptical.
The multi award-winning actor John Malkovich returns to the West End stage after nearly 30 years to play Barney Fein, a top dog Hollywood producer in Bitter Wheat, a new play by the legendary author, director and playwright David Mamet.
Covering both contemporary experience and historical background, debbie tucker green’s Ear for Eye at the Royal Court feels like an instant classic. But it’s not an easy watch.
Mark Benton and Nigel Harman will star in Sam Yates’ hit West End production of David Mamet’s Glengarry Glen Ross which will embark on a nationwide tour from 14 February 2019, opening at the New Victoria Theatre, Woking.
David Mamet’s obscenity-strewn script won a Pulitzer Prize in its day and it is easy to see why. Amidst the coarse language, this tale of desperate real estate agents is a testosterone-filled blast from the past.
Mamet’s Glengarry Glen Ross – not a tartan bonnet in sight, it’s an All-American play set in Chicago in the 80’s – is about ruthless competition between real estate salesmen, paid largely on commission, and ready to cut any throat or corner to come top of the monthly leaderboard.
From its haunting title, to its moments of explosive dialogue, this is a modern classic, which when it was first staged won Mamet the Pulitzer Prize. Set in Chicago, it shows a group of slick hustlers who have to sell tracts of indifferent Florida real estate.
Obviously, the choice to stage David Mamet’s ode to toxic masculinity Glengarry Glen Ross was made long before the hashtag #MeToo shattered the blinkers of anyone unaware of what men have been getting away with. But it feels indicative of a theatrical culture that has reflected and reinforced a societal imbalance.
- Page 1 of 2