Lockdown Zoom hit Doing Shakespeare, one of the Northern Comedy Theatre’s multi-award-winning Doing series, comes to hilarious life onstage, with a London run at the Bridewell Theatre in November.
‘Amusing look at love in lockdown’: VALENTINE’S SKETCH SHOW – Northern Comedy Theatre (Online review)
The material in Valentine’s Sketch Show feels a little rough at times, but when things click and the company runs with it, you do have a giggle.
However, Northern Comedy Theatre (based in Merseyside) have followed an amazing run of digita…
‘Atmospheric & absorbing short drama’: THAT DINNER OF ’67 – BBC Radio 4
With director Stanley Kramer’s making of the groundbreaking film Guess Who’s Coming to Dinner as its subject matter, Tracy-Ann Oberman and David Spicer’s new radio drama has a compelling contemporary relevance.
‘Plenty of humour as they poke fun at some British pastimes’: DOING THE PUB QUIZ – Northern Comedy Theatre (Online review)
Northern Comedy Theatre’s Doing The Pub Quiz examines what was practically a national obsession during the first lockdown – the phenomenon of the Zoom based quiz.
‘There are some very funny moments’: DOING THE BOOK CLUB – Northern Comedy Theatre (Online review)
Northern Comedy Theatre has once again brightened up the online drama landscape with Doing The Book Club, the latest in David Spicer’s Doing… series.
RAISING MARTHA – Park Theatre
There’s a madcap edge to David Spicer’s new comedy that spoofs so much of modern England.
Stephen Boxer is Gerry Duffy, a middle aged frog farmer who’s been supplying amphibians for dissection in schools for years, but who recently has become the target of animal-liberation activists.
RAISING MARTHA – Park Theatre
Raising Martha is a production that has been hit by various casting changes, firstly Morgana Robinson was replaced by Game of Throne’s Gwyneth Keyworth and in a less high profile change Jasper Britton was replaced by Stephen Boxer. The production hasn’t suffered for it.
RAISING MARTHA – Park Theatre
Here’s a tonic for this flat, glum season! Divinely tasteless, bracingly cynical, hootingly funny and directed with pacy intelligence. David Spicer has written what should be a breakthrough play, in a gorgeously black-hearted Ortonesque spirit. Michael Fentiman’s cast could not be better.