Temi Wilkey has written a brilliant first play, which grabs you even though you’ve probably seen many of the components of The High Table before.
That it is sold out shouldn’t stop you from trying to get tickets – there’s Friday Rush and there’s refreshing this page in case of returns, and boy is it worth it.
Black theatre used to be one of most creative aspects of contemporary British drama. But recently a lot of the impetus behind plays by black playwrights seems to have dried up. The great names of the past couple of decades are either silent, or, which is worse, merely repeating themselves.
The hugely convivial pre-show entertainment for Barber Shop Chronicles is such good fun that I thought to myself I could easily just watch this for an hour. As it turned out, press night delays meant that it was extended by about thirty minutes, during which you really got to appreciate how quietly radical it is.