After DC Moore’s flawed Common comes Mullarkey’s similarly flawed Saint George and the Dragon. Taking the myth of George, the legendary dragon slayer and rescuer of damsels in distress, the playwright wraps the folktale in the flag of our nation’s story.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
Common, DC Moore’s paganistic tale of one woman’s desire to save the lady she loves from an oncoming darkness, is causing quite the stir – for all the wrong reasons.
History is a tricky harlot. She is bought and sold, fought for and thrown over, seduced and betrayed — and always at the mercy of the winners. In a general election week, it is hard to deny that still now we are the progeny of the possessive individualism of previous centuries.
Over the past few years where he may or may not have been studying sculpture at Saint Martin’s College, Northampton-born playwright DC Moore has been putting together a résumé of quietly impressive work – exploring aspects of contemporary masculinity in insightful plays such as the excellent Straight and under-rated monologue Honest, or opening up his focus to the war in Afghanistan in The Empire and family dramas in The Swan.
The National Theatre has announced programme details for its new season running from April to November 2017. In addition to the two inbound political plays heading for the West End – the European premiere of Broadway hit Oslo and the staged reading All the President’s Men? – Scenes from the U.S. Senate’s Confirmation Hearings, reported here – highlights include: Jane Eyre returns, following an acclaimed …
artistic director Rufus Norris announced the flagship institution’s 2017 season which will include four world premieres – including a current work-in-progress on the state of Brexit Britain – two European premieres and new work by Inua Ellams, Yaёl Farber, DC Moore, Lindsey Ferrentino and Nina Raine.