Excellent direction combines with all design elements to create a truly atmospheric piece in The House Of Yes at the Hope Theatre, a bold choice of play that serves as a fitting end to Matthew Parker’s tenure.
This rom-com opera, The Elixir of Love is great fun and incredibly engaging – a ray of sunshine on a cold autumn evening.
Loud, bold & full of heart, What Girls Are Made Of is full of dynamic performances – a true testament to the power of music & storytelling.
Friendsical is a light-hearted musical take on one of the most popular TV comedies of recent times – good for a laugh for Friends fans.
Electrolyte is a special piece of theatre that fuses spoken word with all the key components of a gig – a great way to keep the mental health conversation going.
One test of biography jukebox musicals is how much an uninitiated audience member ends up learning about the artist through the course of the show.
Tom Hartwell’s play Before 30 is now making its way up to Edinburgh for a stint at the Festival Fringe prior to a one-off performance at the United Solo Theatre Festival in New York this November
“What angel wakes me from my flowery bed?” A plethora of productions of A Midsummer Night’s Dream, that’s what.
Koko Brown is back with her new show Grey, following on from last year’s hit one-woman play White. This instalment of the Colour Trilogy explores depression and black women’s mental health.
Carrying on a new series, our editor Lisa Martland has picked out her Top Picks including three musicals: The Secret Diary of Adrian Mole Aged 13¾ The Musical at the Ambassadors Theatre (Libby Purves), Fiver at Southwark Playhouse (Emma Clarendon) and The Color Purple at Curve Leicester (No Billington).
Carnival reaches Southwark in this vibrant new A Midsummer Night’s Dream, with a lively cast &and colourful designs – and don’t get comfortable if you’re a groundling.
Sirens is a rip-roaring show that shares a vital feminist message and champions increased inclusivity in theatre – consider the history books rewritten!
Exchange Theatre returns with its production of Jean-Paul Sartre’s The Flies, running alternately in French and English at The Bunker Theatre for a limited time.
Kill Climate Deniers is a crazy show that’s surprisingly considered, as well as cathartic, raising big points and big laughs – a vital part of the climate conversation.
Henry V at The Barn Theatre, Cirencester is an exceptionally well conceived production, with a clear focus on storytelling and great visuals – a Henry V for our times.
The Worst Little Warehouse might be the most energetic performance I’ve ever seen. I genuinely don’t know how Lala Barlow and Robbie Smith do it, pirouetting around the stage while singing, playing keyboard, actually telling the story of their year in the warehouse…
Beats on Pointe at the Peacock Theatre is an infectiously enjoyable show that’s at its best when it focuses entirely on the dance – highly recommended.
“Dance for me, Salome, I beseech you.” The final production in this year’s Lazarus Theatre Company residency at Greenwich Theatre (following on from The Tempest and Lord of the Flies) is a new version of Oscar Wilde’s Salomé.
An energetic cast and an understated performance from Pogo the Summer Street dog are not enough to save this problematic show at the Waterloo East Theatre.
As part of a new series, our editor Lisa Martland picks out seven of her Top Picks from the last week of theatre (29 April-6 May 2019). Amidst her choices are two more West End productions of classic American drama: Arthur Miller’s Death of a Salesman at the Young Vic (Emily Garside) and Tennessee Williams’ Orpheus Descending at the Menier Chocolate Factory (Libby Purves).