Writers Henry Roadnight and Adam Johnson have set about adapting their musical Third Wheel into an online production.
Actress Lucy Aarden is part of #IsolationEnsemble, a company formed by director Abbie Riddell to raise urgent funds for theatres across the UK.
Reading that the Globe may struggle to come back from this current crisis without the help of donations and emergency funding didn’t seem quite real.
The Show Must Go Online was firmly back in history mode with the beginning of Shakespeare’s second tetralogy in Richard II. Not quite as much bloodshed as the previous set of histories that we’ve seen – more posturing and challenging than anything.
I posed some questions to The Show Must Go Online returnees Luke Barton, Kristin Atherton, David Johnson and Lucy Aarden about their experiences with this weekly lockdown hit.
Last week was Shakespeare’s birthday, so The Show Must Go Online went all out with their latest production, holding a Titus Andronicus party in the Bard’s honour.
It feels slightly odd that my final show before the curtains came down wasn’t a play or musical – instead, it was a dance show.
Following on from the instant success of National Theatre At Home streaming event, it’s got me thinking about all the other wonderful NT Live screenings that I’d love to come to the small screen as part of this series. I have narrowed it down to my top 10.
The success of Show Must Go Online’s engrossing The Taming Of The Shrew is a real credit to the company’s creativity and the magic of this emerging art form.
Last week saw the first production of The Show Must Go Online, a series devised by Rob Myles (who Mind the Blog regulars will recognise from Merely Theatre’s Twelfth Night and his insight into Shakespeare dramaturgy) which will bring a different Shakespeare play to YouTube each week with a rotating cast of actors.
Can I Help You? is a sensitively and engagingly performed play that tells an all-too-familiar tale of the battle for hope when all seems lost.
In our continuing series, editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 1 March 2020), ranging from Love London Love Culture’s thoughts on David Mitchell’s West End debut in the stage adaptation of TV favourite Upstart Crow at the Gielgud Theatre.
A bold production of the Scottish Play from Lazarus Theatre with a heavy focus on power and ambition – a great introduction to Macbeth and Shakespeare.
Elton John: It’s A Little Bit Funny is a whistle-stop tour of Elton John’s outrageous life, with a soundtrack of some of his greatest hits performed by an excellent live band.
It’s still January – just – and Mates founder Terri Paddock has some new year advice for theatre bloggers, pulled together with input from several other Mates. Originally written for and published by arts PR and marketing agency Mobius Industries.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 19 January 2020), including Aleks Sierz’s view that the new production of Les Misérables at the Sondheim Theatre is marching on to victory.
A welcome return for Once, a gorgeous show with music truly at its heart and soul.
I very nearly did see this one, but it opened and closed so swiftly that I didn’t really have the chance – I wasn’t living in London at that point, so a bit more planning was required for my theatre trips.
If you’re struggling with all the choice, Mind The Blog has come up with her top five musicals you do not want to miss in 2020.