Too old for trick or treating? Local fireworks display cancelled? You could stay in and binge-watch a Netflix boxset, or plan a scary movie marathon – or you could try something a bit different.
Fear and laughter often go hand-in-hand (you only have to look at work from the likes of Steve Pemberton and Reece Shearsmith to see that), so Tall Stories’ approach to the Oscar Wilde novella The Canterville Ghost is not as bizarre as it may first seem. Their vaudeville stage adaptation is currently playing at Southwark Playhouse, before heading to Bristol and Newcastle.
The game is afoot once more, as Blackeyed Theatre hase adapted the Sherlock Holmes story The Valley of Fear into a brand new stage show. This production is currently touring the country, and follows on from the events of The Sign of Four – with Luke Barton and Joseph Derrington reprising the roles of Holmes and Watson for this latest mystery.
Following in the footsteps of the likes of David Suchet and Ian McKellen, celebrated Irish actor Gabriel Byrne brings his memoir, Walking With Ghosts, to the stage. This brief West End run comes off the back of an engagement at Dublin’s Gaiety Theatre earlier this year, and a stint on Broadway will follow next month.
Charlie Josephine’s play I, Joan at Shakespeare’s Globe does give Joan a feminist mantle; that is probably for the best, as the character would be pretty unbearable if focused solely on their religious and nationalist quest – it also speaks more to a modern audience, and makes more sense in the context of other creative choices in this play.
The Tempest at Shakespeare’s Globe is an unexpectedly hilarious production of a potentially tricky play, with vibrant direction from Sean Holmes – George Fouracres, Ralph Davis and Ciarán O’Brien shine as a comedy trio.
Written in collaboration with John Fletcher, Henry VIII is quite possibly Shakespeare’s final play – but, despite this country’s continued obsession with all things Tudor, it remains a rarely performed piece. Imagine the delight of Shakespeare completists everywhere when it was announced as part of the Globe’s 2022 summer season, this time in a slightly updated version that sees Hannah Khalil (resident writer) become the third collaborator; the original has a heavy male focus, thanks in part to the two (male) playwrights having to work around the expectations of the establishment to avoid censorship and arrest – but now 400 years have passed, it’s about time the female voices in this story were heard as well.
Running in rep alongside Henry VI: Rebellion (a.k.a. Henry VI, part two), the Royal Shakespeare Company’s Royal Shakespeare Theatre is also currently home to Henry VI, part three. As with the previous part, this third play in Shakespeare’s first Henriad has been renamed – going under the title Henry VI: Wars of the Roses.
The story begins with Henry welcoming his new bride, Margaret of Anjou, with a boisterous feast that isn’t exactly suited to his calm and reserved temperament – though Margaret immediately feels at home.
Watching Mike Bartlett’s play Cock today, it seems strange to think that it was actually written 13 years ago, as it covers themes that are so resonant with life in 2022.
If you’ve seen Moulin Rouge! The Musical and loved it, I’d advise you to read no further – this is not going to be pleasant.
This is a piece of verbatim theatre, telling three stories of queer activism from the mid-20th century to the present day; Alexis Gregory conducted interviews with Michael-Anthony Nozzi (a survivor of the Stonewall riots), Lavinia Co-op (a 70s drag artist), and Paul Burston (a 90s AIDS activist).
As soon as Hamlet was announced as part of the 2021-22 winter season my eyes rolled so hard I nearly saw the inside of my eye sockets. I was desperately disappointed. But then something magical happened: a Hamlet unlike any other.
On the anniversary of Hollywood legend Ava Gardner’s death, she lived again in the form of Elizabeth McGovern, whose play AVA: The Secret Conversations has now opened at Hammersmith’s Riverside Studios.
It seems like we’ve been made to wait an inordinately long time for this announcement, but it was definitely worth it as far as I’m concerned.
Despite the fact that theatres were once again up and running for about half the year (varying from place to place), there was still a massive appetite for digital productions going into 2021.
A theatrical experience that you will never forget – Eddie Redmayne revels in the role of the Emcee, but Jessie Buckley steals the show in Cabaret.
Once you reach December, you don’t have to look far to find several adaptations of a certain Charles Dickens novella – the key is finding an original take on the story.
Marley was dead to begin with – and what of it? There’s still work to be done, and Bob Cratchit has to bear the brunt of his remaining master’s foul moods whilst remaining industrious.
My first time back in Stratford-upon-Avon since February 2019, and roughly three years since I’d last stepped foot in the Royal Shakespeare Theatre – and after seeing some rehearsal footage of this new show, I was excited to see what this had turned into.