Turbine Theatre’s adult panto Cinderella: The Socially Distanced Ball is a festival of filthy fun that you can’t help but love.
There was a moment in the last couple of days as I listened to ‘Make It Right’ for the umpteenth time that I wondered whether I’d been a bit harsh to The Prince of Egypt when it opened in late February.
A dazzling cast, a powerful score and mesmerising choreography make The Prince of Egypt a real spectacle to watch.
For spectacle and energy, The Prince of Egypt is worth a visit. It’s not going to change your life but it’ll provide a fun few hours of superfluous theatricality that looks and sounds very pretty.
In The Prince Of Egypt highly committed cast does their best to ride out inconsistent production choices to deliver work that fills the Dominion well.
The Prince Of Egypt, the brand-new musical that officially opens this week at London’s Dominion Theatre, has added seven extra weeks to its limited engagement with 100,000 new tickets now on sale to 31 October 2020.
Casting has been announced for the West End production of Disney’s Prince of Egypt.
Further West End cast has been announced for the brand-new stage musical The Prince Of Egypt, running at London’s Dominion Theatre from 5 February to 12 September 2020.
Susie McKenna’s highly accomplished and atmospheric production of Blues in the Night is filled with heaps of personality and heart that is reflected in the stunning performances from all of the cast.
Actress Debbie Kurup chatted to Emma Clarendon about starring in Blues in the Night at the Kiln Theatre.
Debbie Kurup chatted to Emma Clarendon about starring in The Best of… Rock Musicals and the Donmar Warehouse production of Sweet Charity.
This is as unconventional production of Sweet Charity as you’re likely to see. Set firmly in the art milieu of Andy Warhol’s Factory, it’s so perfectly, silver-foil-wrapped acid-tabbed 1967 it’s like you were actually there.
Nowhere near enough charm in this Sweet Charity for my liking. Josie Rourke’s farewell to the Donmar Warehouse is grey rather than silver.
The Donmar Warehouse has announced further casting for artistic director Josie Rourke’s farewell production Sweet Charity. Joining previously announced cast members Anne-Marie Duff as Charity and Arthur Darvill as Oscar will be Lizzy Connolly, Lauren Drew, Jo Eaton-Kent, Will Haswell, Charlotte Jaconelli, Stephen Kennedy, Debbie Kurup, Martin Marquez, Ryan Reid, Amy Ellen Richardson, Danielle Steers and Shaq Taylor. The musical will run from 6 April to 8 June 2019 (press night is 17 April).
Hackney Empire, in co-production with London Musical Theatre Orchestra, will presents a special concert version of musical KING, marking 50 years since the assassination of Martin Luther King Jr and 30 years since the first performance of the late Martin Smith’s acclaimed show.
It’s a busy play, packed full of sorrow and soul, rueful realism and tentative hope, and is blessed by a crack cast filled with the likes of Ciarán Hinds, Shirley Henderson, Ron Cook, Debbie Kurup, Stanley Townsend and many more.
I have to admit that I wasn’t much enamoured by the prospect of a Bob Dylan musical but when I stopped to think about it, I don’t know why I was worried because I’ve long been of the opinion that Dylan’s songs are best sung by other people.
Casting is today announced for the premiere of Bob Dylan-Conor McPherson musical Girl from the North Country, which runs from 10 July to 7 October 2017, with a press night on 26 July 2017.
Kander & Ebb’s repertoire is famously bleak with musicals that have focused on the rise of Nazism, torture and misery in a Latin American jail, racism in the Deep South and celebrity criminals and corruption in Chicago. Their shows are challenging, often making for very uncomfortable entertainment. So it makes for quite a paradox that The World Goes Round offers an evening of delightful musical theatre treats.
The World Goes Round has been, well, going round for 25 years. The John Kander and Fred Ebb catalogue lends itself to a tight-knit review format – Cabaret and Chicago embrace that genre anyway – and the songs, even from show to show, impact on each other in interesting ways.
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