Alan Bennett writes that “I’ve always had a soft spot for George III”, for no better reason than that he had studied the monarch’s reign at secondary school and then again at uni.
An excellent production of a modern classic with a towering central performance: Alan Bennett’s early 1990s play examines public versus private monarchical concerns at the end of the 18th century in the latest stream from National Theatre At Home.
Alan Bennett’s epic multi-award-winning drama The Madness of George III, starring Mark Gatiss in the title role, will be streamed from next Thursday 11 June 2020 via National Theatre at Home.
Michael Frayn’s meta-comic masterpiece Noises Off easily stands the test of time; even when things go wrong!
The revival of Alan Bennett’s 1991 classic The Madness of King George III at Nottingham Playhouse couldn’t then be more relevant, a play that speaks to our interest in the people who govern us as well as concerns about fitness to rule, mental health and its treatment.
The Madness of George III offers a great part for an actor, one which Mark Gatiss relishes. His vocal and physical tics are memorable, while never reducing mental illness to a series of quirks.
And as an absurdist drama, Exit the King suggests a bit of different thinking. On the face of it, it’s a simple enough tale – a man is told he only has a day left to live and struggles to deal with it.
The National Theatre brings a fascinating cast to Exit the King, the story of King Berenger, who has lived and ruled for 400 years. He is played by Rhys Ifans, a wild and unruly actor who is becoming more interesting with age.
Patrick Marber’s engaging production of Exit the King builds on the central strangeness of Ionesco’s work, attempting to break down our ongoing battle with the idea of death and why no one wants to face it until they have to.
Details have been released of the National Theatre’s season from May to September 2018. Highlights include the Uk premiere of Hadestown, with music, lyrics and book by Anaïs Mitchell, the return of Follies and Patrick Marber’s new version of Eugène Ionesco’s Exit the King.
Politics is a serious business, but it’s also a fun spectator sport. Think of the duels in Prime Minister’s Questions; or the marathon that is Brexit.
Roger Allam and Tom Goodman-Hill join the cast of Limehouse, Steve Waters’ new play about the 1981 Labour Party split, which premieres at the Donmar Warehouse in March.
Artistic Director Josie Rourke and Executive Producer Kate Pakenham announce today the Power Season at the Donmar Warehouse. This spring season includes a new play by Steve Waters examining the 1981 split in the Labour party; a revival of The Resistible Rise of Arturo Ui starring Lenny Henry; and a new musical with book and lyrics edited from the transcript …