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Demetri Goritsas

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‘I was fascinated by the story behind the play telling the story behind the film’: THE SHARK IS BROKEN – West End

In Features, London theatre, Opinion, Other Recent Articles, Plays, Reviews by Terri Paddock14th December 2021Leave a Comment

The Shark Is Broken is the brainchild of Ian Shaw who co-wrote it and stars as his own late father Robert Shaw. It is uncanny just how much Ian looks and sounds like his father.

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REVIEW ROUND-UP: The Shark is Broken at the West End’s Ambassadors Theatre

In Features, London theatre, Opinion, Other Recent Articles, Plays, Reviews by Emma Clarendon2nd November 2021Leave a Comment

On LoveLondonLoveCulture, Emma Clarendon rounds up the reviews for the West End transfer of new comedy The Shark Is Broken, now booking at the Ambassadors Theatre until 15 January 2022.

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NEWS: Ian Shaw stars as father Robert in The Shark is Broken in West End, Tickets onsale

In London theatre, Native, News, Plays, Press Releases by Press Releases17th February 2020

Edinburgh Fringe sell-out The Shark Is Broken, telling the behind-the-scenes story of Steven Spielberg’s classic 1975 film thriller Jaws, transfers to the West End’s Ambassadors Theatre for a limited season from 11 May to 18 July 2020.

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‘Searing, breathtaking work’: EAR FOR EYE – Royal Court Theatre

In London theatre, Opinion, Plays, Reviews by Libby Purves4th November 2018Leave a Comment

debbie tucker green’s Ear For Eye at the Royal Court Theatre is masterfully showing us one of the most astonishing accounts of the modern black experience that I have ever seen.

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‘Feels like an instant classic’: EAR FOR EYE – Royal Court Theatre

In London theatre, Opinion, Plays, Reviews by Aleks Sierz3rd November 2018Leave a Comment

Covering both contemporary experience and historical background, debbie tucker green’s Ear for Eye at the Royal Court feels like an instant classic. But it’s not an easy watch.

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‘Quite often breathtaking’: EAR FOR EYE – Royal Court Theatre

In London theatre, Opinion, Plays, Reviews by Ian Foster2nd November 2018Leave a Comment

Ear for eye, Debbie Tucker Green’s new play for the Royal Court, is ferocious and uncompromising and challenging and quite often breath-taking.

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‘Unafraid to reflect a cold & unfeeling world’: MACHINAL – Almeida Theatre

In London theatre, Opinion, Plays, Reviews by Ian Foster28th June 2018Leave a Comment

Sophie Treadwell’s 1928 play Machinal may be the story of one woman battling societal pressure but Natalie Abrahami’s production for the Almeida Theatre teases out a more elemental struggle, one which stretches over the majority of the 20th century and by extension, even further.

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