On 11 September 2021, it will mark the 20th anniversary of the terrorist attacks on the World Trade Center in New York. To commemorate the anniversary, Apple TV+ has filmed a performance of the Broadway production of Come From Away, released to subscribers on 10 September.
Site specific theatre hasn’t been easy over the last eighteen months – in fact you can take out the first two words of that statement. It’s been tricky enough getting regular venues open, let alone some of the more esoteric settings which were used before you know what kicked off. A production that it would probably be almost impossible to revive now is Clare Bayley’s The Container which happened at the Young Vic in 2009. Set in an actual shipping container near to the theatre it allowed for just 28 audience members each time crammed onto uncomfortable benches around the perimeter with a narrow central strip for the 6 performers to use. 34 bodies in close proximity packed into a metal box with no sense of social distancing and not a mask to be seen; even Covid deniers might baulk.
Twin sisterhood, space, and the uncertain near future are at play in Amy Berryman’s debut play, Walden, which recently enjoyed a run on stage as part of the Re:Emerge season at the Harold Pinter Theatre. Now, it resurfaces in a filmed version to be released in cinemas on Wednesday.
Currently running in stage in the Little at Southwark Playhouse, Lazarus Theatre’s version of Oscar Wilde’s Salomé proves to be a daring, electric, and exhausting feat of theatre.
Paul is dead, killed at his own party. Everyone is a suspect, and most of them had a motive. Written and performed by Emily Head, directed by Guy Unsworth, The System is filmed live in one take. We meet each suspect to see how they react under interrogation, and see if the mystery can be solved.
Garry Roost’s play Warhol: Bullet Karma focuses on the events around his shooting by Valerie Solanas (this ground was covered from a more feminist perspective in Femme Fatale).
Lost in Love is a new play presented by Flow Stage Productions. A brash and funny lady, Emily (Rachel Pryde) has something to tell about her life and the men in it.
Till Love Do Us Part isn’t one of the flashiest productions on the digital fringe in terms of its technical style, but the writing carries it through.
Over on the ZOOTV platform at the Edinburgh Festival Fringe, you’ll find Planet of the Grapes, a delicious livestream performed live in New York City. I’m told that on Sunday the city was being battered by a hurricane, but it didn’t seem to cast a shadow on the show.
East Belfast Boy intrigues from the first frame, and lends itself perfectly to the new format, redefining the boundaries between disparate art forms.
In Call Me Elizabeth Kayla Boye takes on the difficult task of writing about, and portraying the icon which was Elizabeth Taylor (1932-2011). Just like Marilyn Monroe, you feel you already know everything about her; the marriages, the child star turned child woman in the Hollywood machine, her constant health battles, the diamonds, her activism.
Written and performed by Patricia Légaré Eddisford, The Tarantula is just under an hour of monologue, a story that transcends its one-room location.
Quackpot Productions has brought fresh and quirky show Meet Cute to the Camden Fringe, in which Tim and Gill’s budding romance goes anything but smoothly.
Captain Condom & the Covid-19 Conundrum masks a very serious message about sexual awareness and education in a funny show utilising the superhero theme.
Now streaming at the Edinburgh Festival Fringe on the Pleasance Online platform, Popelei presents PUSH, a filmed theatre piece about a woman and a pregnancy test. The language is weird, static, and poetic, the mood is comic, the pace fast and frenetic, the performance manic and moving.
Currently streaming on the Fringe Player platform at the Edinburgh Festival Fringe, Ithaca is a one-person stage to screen version of The Odyssey.
A solo show presented by Avital Raz, My Jerusalem is a fiercely personal and deeply political show ‘developed from a song’.
Friend rushes through ten series in an hour bringing you the highlights, the lowlights, the supporting cast, the big storylines, and more. It is very funny, wickedly affectionate, and utterly 90s.
Apphia Campbell’s show Black is the Color of My Voice, based on the life and works of Nina Simone, comes to digital theatre. This version was recorded this summer at Wilton’s Music Hall and is presented by Seabright Productions.
Possible is a ‘playful and profound piece of storytelling’, written and performed by Shôn Dale-Jones. Before Covid lockdown hit, Dale-Jones was thinking of and developing a show all about love. When his life descended into a place of chaos and noise, the show became what we see today.