Following a performance of ANIMAL at the Park Theatre, I was joined by star Christopher John-Slater, playwright Jon Bradfield, cast member Matt Ayleigh, and Joshua Hepple, whose brilliant initial idea made the whole thing happen.
‘An extremely important story’: The Shadow Whose Prey the Hunter Becomes – Touring
Framed by the lens of the intrusive and boundary-breaking rise of artificial intelligence, The Shadow Whose Prey Becomes the Hunter by Back to Back Theatre serves as a wake-up call on how non-disabled people alienate people who have what are referred to in Australia as ‘intellectual disabilities’.
‘Informs, educates & entertains’: ALL OF US – National Theatre
If the plotting is predictable, and the story arc unremarkable, the image of life represented is both strongly compassionate and often very pleasurable. In true welfare state style, comedian Francesca Martinez’s debut play All of Us at the National Theatre not only informs and educates, but also entertains.
‘Beautifully conveys its emotional & political charge’: SCROUNGER – Finborough Theatre (Online review)
The bright colours of the performance underline the surrealism of Scrounger’s quest for justice, and Athena Stevens, the first actor in a wheelchair nominated for an Offie, performs her story brilliantly.
Lockdown emphasises the sharp divide between disabled & able-bodied, but there are silver linings
Being housebound and isolated is not unfamiliar to many members of the disabled and chronic illness communities, strangely leaving us potentially better equipped than the non-disabled to cope, and experiencing a sudden flood of accessibility.
Text of the Day: A Day in the Death of Joe Egg
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
WATCH: How to talk about disability & A Day in the Death of Joe Egg in 2019?
Mate Terri Paddock chaired a post-show discussion at the West End revival of A Day in the Death of Joe Egg with director Simon Evans and the cast.
PUNTS – Theatre503
The plot kicks off with disarming simplicity. Alastair is a rich fortysomething legal eagle, married to Antonia, who is a housewife. They live in a beautiful London house with Jack, one of their three sons, who has a learning disability.
CIRCUS DIARIES: He Ain’t Heavy, by Grania Pickard & Oddly Moving Circus Theatre
The special preview of He Ain’t Heavy from Grania Pickard and her newly formed company, Oddly Moving Circus Theatre, was accompanied an invitation to a group of local writers and circus enthusiasts, facilitated by The Circus Diaries.
THE SOLID LIFE OF SUGAR WATER – National Theatre
New play from Jack Thorne about one couple’s tragic loss is both excruciating and oddly uplifting
The post The Solid Life of Sugar Water, National Theatre appeared first on Aleks Sierz.