As someone who always wanted to learn to dance (but never have really had the confidence to), Dirty Dancing was always a film that I have particularly enjoyed – mesmerised as much by the fabulous dancing as well as the wonderful chemistry between Patrick Swayze and Jennifer Grey. Now back in the West End – the musical is just as sexy and enjoyable, faithful to the film but able to find its own way with a couple of additional moments.
If you’re looking for some festive magic this year, look no further than the Dominion Theatre for a gloriously Christmassy, sparkly production of Elf The Musical. Based on the cult classic film, it tells the story of Buddy the Elf who finds out he’s really a human, so makes the journey from the North Pole to New York City to meet his biological father and experience the world. This musical adaptation has all the most iconic parts of the film plus a heap of theatrical magic that makes it the perfect festive treat.
The iconic 1980s romance is re-worked for the stage in this straightforward but energetic production. Full confession: I grew up obsessed with Dirty Dancing, and I kind of still am.
Dirty Dancing is one of the cult classic films that’s beloved by many generations and continually stands the test of time, so a stage version has a built-in audience.
Hit screen-to-stage musical Dirty Dancing returns to the West End in February next year for an 11-week run from 2 February 2022.
Glory palaces of cinema that became theatres — and vice versa — that Mark Shenton longs to visit again.
A star cast including Jacqueline Jossa, Matt Jay-Willis, Lucie Jones and Cedric Neal will join Brian Conley in the new, musical staged concert of Alan Menken, Lynn Ahrens and Mike Ockrent’s A Christmas Carol, which is set to play a strictly limited season at London’s Dominion Theatre from 7 December 2020 to 2 January 2021 (press night is 14 December).
In our continuing series, editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 1 March 2020), ranging from Love London Love Culture’s thoughts on David Mitchell’s West End debut in the stage adaptation of TV favourite Upstart Crow at the Gielgud Theatre.
A dazzling cast, a powerful score and mesmerising choreography make The Prince of Egypt a real spectacle to watch.
For spectacle and energy, The Prince of Egypt is worth a visit. It’s not going to change your life but it’ll provide a fun few hours of superfluous theatricality that looks and sounds very pretty.
In The Prince Of Egypt highly committed cast does their best to ride out inconsistent production choices to deliver work that fills the Dominion well.
The Prince Of Egypt, the brand-new musical that officially opens this week at London’s Dominion Theatre, has added seven extra weeks to its limited engagement with 100,000 new tickets now on sale to 31 October 2020.
With a huge variety of shows having already been announced for this year, here Love London Love Culture selects some of the best ones for the year ahead….
White Christmas is an all-singing, all-dancing festive treat, full of showbiz razzmatazz and a little bit of romance thrown in for good measure – though with the memories of war lurking in the background, there is a dark edge that offsets the Technicolor world of the 1950s.
A joy from start to finish, White Christmas is a real treat that you will not want to miss out on.
The embodiment of glamour from start to finish, White Christmas whisks you away and takes you to a wintery wonderland where lullabies and tap dances reign supreme.
Before long the stage is overflowing with so much joy, romance and goodwill to all that ultimately, much like the snow song, this White Christmas proves impossible to resist.
Best of the Blogs: The Mates give their verdicts on Big, A Dolls’s House, Shida & The Eyes Of The Night.
Love London Love Culture rounds up the reviews for Big, the musical based on the Tom Hanks film, now playing for a limited season at the Dominion Theatre.