If the intimate play A Number feels a bit lost in the vast space of the Bridge, the performances are big enough to give it the required punch.
Churchill’s vision two decades ago in Far Away now seems even more prescient and accurate of planet Earth’s downhill spiral: endless wars and realignments, climate change, imminent environmental catastrophe.
In our continuing series, editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 16 February 2020) including Maryam Philpott’s thoughts on Tom Stoppard’s new play Leopoldstadt at the Wyndham’s Theatre.
Caryl Churchill wrote Far Away in 2000 and, 20 years on, it feels more current by the moment.
This well-focused revival of Caryl Churchill’s, brief dystopic classic Far Away is vivid but frankly unexceptional.
Here is a snapshot of my favourite theatre from the past 10 years, the plays that stand out most in my memory, the ones I talk about if people ask.
It’s that time of year again… here’s View From the Circle’s Top Ten shows of 2019.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 23 December 2019), ranging from Jonathan Baz’s enjoyment of the musical and visual treat that is Kander and Ebb’s musical Curtains at the Wyndham’s Theatre.
Teenage Dick at the Donmar Warehouse does extremely well in dealing with disability but I think we’re kidding ourselves if we’re yet in a place where this would happen organically.
In Teenage Dick Mike Lew has created a version of Richard III that suits the high school context extremely well, asking the audience to consider attitudes to disability, power and social structures that perpetuate all kinds of inequality.
Teenage Dick is one of those play titles you have to be careful mentioning or googling, a bit like Cock at the Royal Court – but it is wholly appropriate for Mike Lew’s play.
Acting honours go to Andrew Scott & Maggie Smith at the 2019 Evening Standard Theatre Awards while Sweat wins Best Play.
Josie Rourke’s critically acclaimed and Olivier Award-winning production of City of Angels makes its West End transfer five years since opening at the Donmar Warehouse in 2014.
Jemima Rooper, Kate O’Flynn, Zainab Hasan and Joanna Horton carry a lion’s share delivering the vitriol, pain and helplessness of struggling women in [Blank].
Alice Birch’s experimental new play [Blank] prioritises form over content and is at heart depressingly reactionary.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 20 October 2019), ranging from Olivia Mitchell’s thigh-slapping joy on seeing Noises Off to Libby Purves’ plea that we listen to the story being told in [Blank] at the Donmar Warehouse.
Alice Birch’s [Blank], about how our criminal justice system treats women, features tremendous ensemble work, physically expressive, verbally articulate, ripping off layers of smug delusion with elegant skill.
Branden Jacobs-Jenkins’ play Appropriate is a brilliantly acute and entertaining, if a bit depressing, deconstruction of the great American family drama.
Best of the Blogs: The Mates give their verdicts on Appropriate, The Doctor, Cabaret & more.
Love London Love Culture rounds up the reviews for Ola Ince’s production of Branden Jacobs-Jenkins’ play Appropriate.