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‘Rona Morison is shiveringly powerful’: MARY – Hampstead Theatre

In London theatre, Opinion, Other Recent Articles, Plays, Reviews by Libby PurvesLeave a Comment

For 400 years the reputation of Mary, Queen of Scots, has been battled over: she has been called victim and whore, murderess and heroine, flighty and heroic. Romance flowers in drama and opera: she was a young mother, beautiful, imprisoned, finally executed by her cousin Elizabeth I. But in this static but powerful 90-minutes, in which the Queen herself is offstage except for two glimpses, Rona Munro concentrates on the period before her forced abdication in 1567.

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‘Munro’s writing is sharp & fearsome’: MARY – Hampstead Theatre

In London theatre, Opinion, Other Recent Articles, Plays, Reviews by Maryam PhilpottLeave a Comment

Rona Munro’s latest piece, Mary, treads similar ground to historical trilogy The James Plays in its examination of Mary Queen of Scots and the series of fateful activities that led to her being deposed in favour of her infant son in 1567. This superbly written 90-minute drama passes in the blink of an eye but the fate of a country, a Queen and a scandal-ridden woman are brilliantly contained within.

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NETWORK at the National Theatre: ‘Ivo van Hove reasserts his place as one of the premier theatremakers working, anywhere’

In London theatre, Opinion, Plays, Reviews, Sticky by Ian FosterLeave a Comment

A satire that managed to predict just how powerful a tool populist anger can be when leveraged effectively, it is transformed into the immersive bustle of a TV studio, that of UBS Evening News where old hack Howard Beale – a transcendent performance by Bryan Cranston – has been handed his notice.