Love London Love Culture rounds up the reviews for E.V.Crowe’s new play Shoe Lady, playing for a strictly limited three-week run at the Royal Court Theatre.
Shoe Lady is an intriguing and well-considered examination of the social and domestic pressures placed on women to perform multiple and often contradictory roles in our society.
Katherine Parkinson and Kayla Meikle have been cast in the world premiere of Shoe Lady written by E.V. Crowe and directed by Royal Court artistic director Vicky Featherstone.
Not Exactly Billington has set themselves a challenge to read a new (to them) playtext every week. In August, their #ReadaPlayaWeek titles included John Osborne’s Luther, Christopher Shinn’s Dying City, Abi Zakarian’s This is Not an Exit, E.V. Crowe’s I Can Hear You, and Alice Birch’s Revolt. She said. Revolt again.
Cardboard Citizens are a remarkable success story, especially dealing as they do with those at the sharp end of society, the ones who have fallen through the cracks. For 25 years, Adrian Jackson, CC’s founding father has pioneered theatre that will not let us forget what it is like to be homeless, to have lost everything including your dignity and identity.
E V Crowe has been steadily building a reputation as a writer of taut, stringent control since her debut, Kin (2010) followed by the positively garrulous (by her standards) but impressive Hero (2012) with Daniel Mays. Last year, Brenda, a study in mystery and abuse, premiered at the High Tide festival and certainly took no prisoners. Nor does her latest, The Sewing Group.