Writers Stephanie Silver and Amelia Marshall-Lovsey bring to the online stage Walk of Shame, produced by Caley Powell for Glass Half Full Theatre.
‘Develops into an intriguing & sinister plot’: CLOSE YOUR EYES, I’M FILMING – Greedy Pig Theatre Company
The Greedy Pig Theatre Company’s latest production Close Your Eyes, I’m Filming follows an up and coming vlogger.
‘The cast brilliantly succeeds in creating the horror’: After The Turn: The Mystery of Bly Manor – Nine Knocks Theatre (Online review) ★★★★
In After the Turn: The Mystery of Bly Manor, Nine Knocks Theatre company has shown the wealth of talented actors in their company along with their ability to create a powerful and atmospheric performance without actually being on the same stage.
‘Each of the five characters are recognisable’: LOST SOULS – Loosely Based Theatre (Online review)
The latest work by Jayne Woodhouse comprises of five monologues performed in the compilation of Lost Souls produced by Loosely Based Theatre.
‘There’s no better time to think outside of the box’: A SEPARATE PEACE – The Remote Read (Online review)
Originally written for television in 1964, this particular Tom Stoppard production has been performed to raise money for stage technicians and creatives along with supporting The Felix Project food charity.
‘Watching this opened my eyes to an interesting part of British Empire history’: DRAWING THE LINE – Hampstead Theatre ★★★★ (Online review)
Judge Cyril Radcliffe has been ordered by the British government to go and map out the territories dividing up India as the empire begins to close down. A somewhat daunting prospect for somebody who had never been to India.
’An excellent connection on stage’: THE DOCK BRIEF – Cockpit Theatre
The Dock Brief is a two-man production written by the late Sir John Mortimer the barrister and playwright whose most famous work has to have been Rumpole of the Bailey.
‘Have a “futtingly” good night out’: UPSTART CROW – West End ★★★★★
The quick-witted comedy you expect from Ben Elton which is seen in the BBC series runs throughout this incredibly funny stage production of Upstart Crow.
‘Still has exactly what it takes to entertain audiences’: MAMMA MIA! – Touring ★★★★
There was a really good party atmosphere at the end of Mamma Mia! which saw quite a large proportion of the auditorium get up, dance and sing along to the final numbers before the cast took their final bows.
‘An honour to have shared the experience’: AUTOREVERSE – Battersea Arts Centre ★★★★
The combination of Argentinian history told through a collection of recorded tape cassettes from her family archives, Florencia Cordeu explores how her family identified what and where home was after they fled Argentina for a new life in Chile.
‘The intimate space brings the audience into the play’: COPS – Southwark Playhouse
With racial tensions high, Mob rule rife and the corruption inside the police force ever-present, we embark on what appears to be the downfall of a section of the Mob.
Best of the Blogs: Snowflake, Swive, Curtains & more
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 5 January 2020), including Aleks Sierz’s mixed feelings about Snowflake at the Kiln Theatre.
‘Brilliantly revitalised’: SOHO CINDERS – Charing Cross Theatre ★★★★★
For the next three and a half weeks we see Robbie and Velcro now take centre stage with two new very strong and talented lead characters Matthew Mather and Livvy Evans in Soho Cinders. Be assured these two are certainly breathing new life into this fantastic musical.
‘Definitely brightens up the festive period’: SNOW WHITE – Chickenshed Theatre ★★★★
This wonderfully inclusive Snow White has been adapted and brought up to date, resulting in a clever and interesting social commentary on the power of people’s vanity.
Best of the Blogs: The Mates give their verdicts on Joe Egg, Gentlemen Prefer Blondes, Mites, Islander & more
Editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 13 October 2019), ranging from Aleks Sierz’s thoughts on the still very relevant A Day In The Death Of Joe Egg at the Trafalgar Studios to Libby Purves’ reaction to Mischief Theatre’s new offering Groan Ups.
Deserves to be heard: THE GOOD SCOUT – Above The Stag Theatre ★★★★
Glenn Chandler focuses on events that haven’t been spoken about for many years in The Good Scout and in the process a charismatic cast reveals an extremely interesting twist in history.
‘Brilliant performances all round’: OLD STOCK: A REFUGEE LOVE STORY – Wilton’s Music Hall ★★★★★
In Old Stock: A Refugee Love Story, playwright Hannah Moscovitch has taken the heart-wrenching story based on her paternal family and placed it into this thoughtful, entertaining and powerful theatre production.
‘Are you ready for the truth?’: AT LAST – Lion & Unicorn Theatre ★★★★
At Last, what happens when an Island puts up the barriers and withdraws from the rest of the world? Playwrights James Lewis and Alexander Knott’s new play allows a terrifying glimpse into the way an event such as that could become a reality.
‘A brilliant concept’: ROCK ‘N’ ROLL GIRLS – Edinburgh Fringe ★★★★
What on earth can be the connection between ‘Brown Sugar’ by the Rolling Stones, ‘Lola’ by The Kinks, ‘Eleanor Rigby’ by The Beatles, ‘Roxanne’ by The Police and… Monica? The five characters in Rock ‘n’ Roll Girls explain all.
‘Extremely moving performance’: THE WORDS ARE THERE – Edinburgh Fringe ★★★★
Ronan Dempsey’s one-man physical performance in The Words Are There brings to the Fringe a powerful play about a male victim of domestic violence.
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