Elaine Paige will join the cast of Pantoland at The Palladium for the three-week festive run from 12 December 2020 to 3 January 2021, which sees pantomime return to the the London Palladium for a fifth consecutive year.
The Shows Must Go On: After Andrew Lloyd Webber, lockdown musicals channel turns to The Sound of Music
After six weeks, free-to-view YouTube Channel The Shows Must Go On has concluded its series of Andrew Lloyd Webber stage musicals. The lockdown line-up continues this week with Rodgers and Hammerstein’s The Sound of Music.
The Shows Must Go On: Andrew Lloyd Webber’s 1998 film of Cats streams for 24 hours only from Friday
The lockdown streaming schedule for Andrew Lloyd Webber’s free-to-view YouTube Channel The Shows Must Go On will continue this Friday with a broadcast of his global blockbuster Cats.
The Shows Must Go On: Andrew Lloyd Webber’s 50th birthday concert streams for 48 hours from Friday
The lockdown streaming schedule for free-to-view YouTube Channel The Shows Must Go On, continues this Friday with a broadcast of Andrew Lloyd Webber’s star-studded 50th birthday concert held at London’s Royal Albert Hall.
Album Review: Andrew Lloyd Webber Unmasked – The Platinum Collection
Upon reaching 70 this year, Andrew Lloyd Webber is clearly in a reflective mood and hot on the heels of his autobiography Unmasked released last week, comes this new compilation album Unmasked: The Platinum Collection.
Album Review: Elaine Paige Presents Showstoppers from the Musicals
Following on from Elaine Paige Presents the Musicals, this latest album has plenty of variety that mixes classic musical songs and new favourites – but with mixed results.
DICK WHITTINGTON – West End
Following critical and commercial success with last year’s Cinderella, QDOS Entertainment have again invested millions to make Dick Whittington the biggest, boldest and glitziest pantomime on the London circuit.
REVIEW ROUND-UP: @DWhittingtonLDN at @PalladiumLondon #WestEnd
The reviews are in for Dick Whittington, QDOS’ second annual, big-budget, blockbuster pantomime in the West End, running at the London Palladium until 14 January 2018. What is the critical verdict? Here Love London Love Culture rounds up the reviews.
‘Biggest, boldest, glitziest panto in London’: DICK WHITTINGTON – West End ★★★★
Following critical and commercial success with last year’s Cinderella, QDOS Entertainment has again invested millions to make Dick Whittington the biggest, boldest and glitziest pantomime on the London circuit with what looks like a degree of overkill, taking a sledgehammer to crush a rat perhaps.
KING TUT – King’s Head
Everything good rests on the broad shoulders and Borat-like moustache of director, writer, star and Sheffield export John Savournin. Not only does he have the best jokes and costumes as ‘Lord Conniving’ – including a priapic armchair – he has a gift for comedy.
KING TUT – King’s Head
Everything good rests on the broad shoulders and Borat-like moustache of director, writer, star and Sheffield export John Savournin. Not only does he have the best jokes and costumes as ‘Lord Conniving’ – including a priapic armchair – he has a gift for comedy.
KRISTIN CHENOWETH – West End
Like many UK Kristin fans, I saw Wicked when it opened back in 2006, subsequently listened to the Broadway recording and fell in love with the cast. I then entered an obsessive phase where I watched all Kristin videos, listened to every song she’d ever sung, read every interview she’d done and was generally that annoying fan that could talk about nothing else.
KRISTIN CHENOWETH – West End
Like many UK Kristin fans, I saw Wicked when it opened back in 2006, subsequently listened to the Broadway recording and fell in love with the cast. I then entered an obsessive phase where I watched all Kristin videos, listened to every song she’d ever sung, read every interview she’d done and was generally that annoying fan that could talk about nothing else.
NEWS: Emma Williams reunites with Charlie Stemp for Dick Whittington, Full cast
Emma Williams reunites with her Half a Sixpence co-star Charlie Stemp this Christmas for Dick Whittington at the London Palladium, where the pantomime cast also includes Julian Clary, Elaine Paige, Nigel Havers and Gary Wilmot.
NEWS: Charlie Stemp, Elaine Paige & Gary Wilmot join Dick Whittington at Palladium, TICKETS ONSALE
Fresh from Half a Sixpence, Charlie Stemp will join Elaine Paige and Gary Wilmot, along with the previously announced Julian Clary, Paul Zerdin and Nigel Havers in Dick Whittington, this year’s Christmas pantomime at the London Palladium.
ELAINE PAIGE: STRIPPED BACK – Touring
I couldn’t hide my glee when I Know Him So Well, Memory and With One Look were included. In fact, her Grizabella days may be behind her, but Paige could still pull off a fierce Norma Desmond if the occasion called for it.
Will Doctor Who Sell You on Shakespeare?
The Beeb wheeled out Peter Capaldi for its launch of A Midsummer Night’s Dream due to air on BBC1 at the end of May. Not because he’s in it but because the entire play, adapted to an ‘accessible’ 90 minutes by Who’s reinventor Russell T Davies and filmed with the special effects team at Roath Lock in Cardiff where Dr Who is made, it’s fashioned specifically for Whovian fans.
Will Doctor Who Sell You on Shakespeare?
The Beeb wheeled out Peter Capaldi for its launch of A Midsummer Night’s Dream due to air on BBC1 at the end of May. Not because he’s in it but because the entire play, adapted to an ‘accessible’ 90 minutes by Who’s reinventor Russell T Davies and filmed with the special effects team at Roath Lock in Cardiff where Dr Who is made, it’s fashioned specifically for Whovian fans.
SUNSET BOULEVARD – London Coliseum
The night after Imelda Staunton picked up her Olivier award for best actress in a musical in Gypsy, her successor is a rock solid certainty. With such tumultuous reception at the Coliseum, there is no doubt that Glenn Close must win for Sunset Boulevard in which, like Staunton, she plays a deluded and flawed tragic hero of the entertainment business.
MISS ATOMIC BOMB – St James’ Theatre
It’s not often theatre reviews are bad enough to make BBC lunchtime headlines, but the writers of Miss Atomic Bomb should be donning their tin hats. When London’s most enthusiastic musical theatre critic, The Stage’s (and My Theatre Mates co-founder) Mark Shenton, who just chaired the BEAM event to encourage new musical writing is out of his seat like a rocket to get a one-star review online before midnight, something must be wrong.
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