This brand new English version of Pierre de Marivaux’s classic comedy The Game of Love and Chance, adapted by Quentin Beroud and Jack Gamble, takes great delight in modernising this almost 300-year-old French play. There is a knowingness to the adaptation that adds yet more comic layers to the wonderfully silly piece.
Known for classic novels about human relationships such as Sons and Lovers, Women In Love and The Rainbow, DH Lawrence also tried his hand at writing plays. The Daughter-In-Law – which was performed and received critical acclaim posthumously – takes place in the familiar region of Nottinghamshire where most of his novels are set.
This is a striking and powerful production of The Daughter-in-Law filled with performances that are delivered with real grit and passion – highly recommended.
Written and directed by Jonathan Lewis, this funny and powerfully honest production of Soldier On gives a vivid insight into the lives of those who work in the military and their families left behind.
Soldier On reminds us that, whilst the memory of those conflicts has faded from the front pages, the price is still being paid, the grief and horror of what occurred made new and raw every day by the re-experiencing nightmare of PTSD.
Though no one comes out well in The Daughter-In-Law and the script simmers for too long before it starts to boil over, this is a clear and engaging revival of a lesser known English play.
MKEC Productions have been carving out a niche for themselves in conjuring fringe productions of lesser-known musicals and in Charles Miller and Kevin Hammonds’ When Midnight Strikes, directed by Marc Kelly, they’re onto a winner.
It is springtime and in a rural farm, the feathered inhabitants are getting ready to meet the new generation. For Ida (Ellie Nunn) this means sitting for hours on end on the nest while her partner Drake (Leon Scott) wanders about enjoying himself.