Due to the ongoing Covid-19 restrictions, the producers of the West End production of CP Taylor’s GOOD, starring David Tennant and directed by Dominic Cooke have postponed the forthcoming run which was due to play from 21 April to 17 July 2021. The production is to be rescheduled to run at the Harold Pinter Theatre and will still star Tennant, Fenella Woolgar and Elliot Levey.
CP Taylor’s GOOD, starring David Tennant and directed by Dominic Cooke, which was due to open this October, has announced new dates for 2021 and a new run at the Harold Pinter Theatre.
Former Royal Court Theatre artistic director Dominic Cooke and executive director Kate Horton are launching their production company Fictionhouse with a new West End revival of CP Taylor’s 1981 play GOOD, starring David Tennant as a ‘good’ man who questions what the right thing to do is as Hitler takes power in Nazi Germany. GOOD, which also stars Fenella Woolgar and Elliot Levey, runs at the West End’s …
Mike Bartlett’s Christmas cracker Snowflake goes out with a bang, but it really takes a long and clumsy time to do it.
Rebecca Frecknall’s rich production of Three Sisters takes place in a bubble of unreality, both alluring and doomed to burst.
Chekhov classic from the team behind the West End hit Summer and Smoke is too middle of the road
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Following Rebecca Frecknall and Patsy Ferran’s Critics’ Circle Award-winning collaboration on Summer & Smoke at the Almeida Theatre, the director and actress will join forces on Anton Chekhov’s Three Sisters in a new adaptation by Cordelia Lynn (8 April to 1 June 2019, press night is 16 April), for which full casting is announced today.
A few hours after Theresa May postponed the parliamentary vote and spun us down into another layer of Brexi-hell, the little OFS – a theatre shared with Crisis homeless centre – gave us this premiere by Mike Bartlett.
The full cast has been announced for the West End transfer of Robert Icke’s new adaptation of Mary Stuart. Following a critically acclaimed, sold out season at the Almeida Theatre in 2016-17, the production will open at the Duke of York’s Theatre from 15 January for a limited run before visiting Theatre Royal Bath, Salford Lowry and Cambridge Arts Theatre.
Through the trial and its aftermath, the production soars, mainly on the strength of Arterton’s superlative performance. A woman alone, literally so in this all-male company.
The wonderful and hilarious Man Booker Prize winner, The Mighty Walzer by Howard Jacobson, bounces into the Royal Exchange in a world premiere stage adaptation by Simon Bent. Bent’s adaptation of The Mighty Walzer is a real scream, giving the Royal Exchange’s audience an uplifting dose of superb theatre to close the season on.