One play I have seen consistently recommended over the last couple of years is Emilia which premiered at The Globe in 2018 and transferred to the West End last year and was awarded three Oliviers.
It has been announced at that Eleanor Lloyd will be the new President of the Society of London Theatre (SOLT). The appointment follows the conclusion of Kenny Wax’s three-year tenure.
While it has taken a while for the winners of this years Olivier Awards to be announced, there was plenty to be celebrated – as well as a strong reminder of the power of theatre.
The winners of the Olivier Awards 2020 with Mastercard were announced in a special ITV programme filmed at The London Palladium, and on Official London Theatre’s YouTube channel.
It’s that time of year again… here’s View From the Circle’s Top Ten shows of 2019.
A transfer from the Globe, Morgan Lloyd Malcolm’s play about the 17th century poet Emilia Bassano Lanier is already receiving highly positive acclaim as it rouses audiences to their feet night after night
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
It is not to diminish the historical elements, the research and indeed the politics of the play, to say that its power and its joy is in storytelling.
I’ve read reviews of Morgan Lloyd Malcolm’s play Emilia that describe its feminist message as ‘unsubtle’ and the titular character’s suffering as overblown. It’s comments like that, which reinforce the need for plays like this and why, perhaps, the time for subtlety is over.
Morgan Lloyd Malcolm’s script for Emilia at the Vaudeville Theatre is spectacularly good: funny, poignant, angry and inspiring. It’s an amazing piece of theatre, yes, but it’s also something more than that. It feels like a movement, almost.
Elliott & Harper Productions’ Company and Shakespeare’s Globe’s production of Emilia are among the recipients of the third annual Tonic Awards which have been announced at a ceremony held at The May Fair Hotel, hosted by Tracy Ann Oberman.
Triumphant, if crude, the West End transfer of Emilia is a heartfelt account of a Renaissance woman who has been hidden from history.
While still reflecting on International Women’s Day 2019 I am delighted to be able to share the first part of my interview with the generous and inspiring playwright Morgan Lloyd Malcolm. We talked at length about her play Emilia, which has just had its first preview at the Vaudeville Theatre.
Here is LLLC’s guide to some of the best theatre productions opening in the capital in March.
Further casting has been announced for Emilia, written by Morgan Lloyd Malcolm and directed by Nicole Charles at the Vaudeville Theatre from 8 March to 15 June 2019, following its run at Shakespeare’s Globe in 2018.
Mind the Blog rounds up her favourite female performances in the theatre during 2018.
Following its sell-out run at Shakespeare’s Globe, Morgan Lloyd Malcolm’s new play Emilia, directed by Nicole Charles, will transfer to the Vaudeville Theatre for a strictly limited season from 8 March to 15 June 2019.
Apparently, 2018 is the ‘Year of the Woman’, and it has definitely felt like the world of theatre has stepped up for the occasion.
On the broader theatrical landscape, there are plenty of things opening this month! In London Eugenius! returns to The Other Palace, Milly Thomas’ Dust transfers to Trafalgar Studios 2, and Foxfinder opens at the Ambassadors.
There is no mistaking the anger that informs and pulsates through the piece like a roaring fire. But this is an Emilia for our life and times, bringing the past and present and hopefully the future into glorious unison.
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