I was disappointed not to see Emma Rice’s adaptation of Angela Carter’s much-loved final novel Wise Children last year at the Old Vic Theatre or on its extensive tour, but delighted to be given another chance to catch it last week thanks to More2Screen.
Mirabelle Gremaud chatted to LLLC’s Emma Clarendon about Wise Children and bringing Emma Rice’s production to cinema screens from 3 October 2019.
On 3 October 2019, Emma Rice’s critically acclaimed stage adaptation of Angela Carter’s Wise Children hits the big screen via More2Screen. The multi-award-winning director has written movingly about why she turned to the novelist’s love letter to theatre when her own theatre career was upended…
More2Screen has announced the cinema release of the critically acclaimed stage adaptation of Angela Carter’s Wise Children, which will be screened in more than 250 cinemas across the UK and Ireland from Thursday 3 October 2019. Cinema tickets are on sale now at WiseChildrenCinema.com.
“What angel wakes me from my flowery bed?” A plethora of productions of A Midsummer Night’s Dream, that’s what.
The Malory Towers company deserves great plaudits for putting their all into such a high-intensity show; it’s a charming piece but one that undoubtedly feels like minor-key Rice.
The halcyon days of school and the opportunities it afforded her mother has led Wise Children artistic director Emma Rice to adapt Enid Blyton’s classic boarding school story, Malory Towers, into a stage musical. The show premieres this summer, opening at The Passenger Shed in Bristol, before touring.
My verdict? A show that is unabashedly in love with theatre, revelling in the curious mischief of Angela Carter’s novel – what a joy it is to dance and sing, indeed!
Following the success of Wise Children, Emma Rice will adapt and direct Malory Towers, based on Enid Blyton’s classic children’s novels.
Wise Children is the ultimate love letter to theatre. Complete with stars, spotlights, showgirls and Shakespeare – this is a spectacle to behold.
Emma Rice will be stepping into the role of Nora Chance in the critically-acclaimed production of Wise Children, taking over the role from Etta Murfitt, from 26 March to 6 April, covering performances at Richmond Theatre and Belgrade Theatre.
An adaptation of Angela Carter’s 1991 novel about a theatrical dynasty, spanning a century and loaded with Shakespeare, sex and song, Wise Children can exhaust in its constant frenzy of invention, but a surplus of ideas is always preferable than too few.
Earlier this year I headed out on tour with The Flying Lovers of Vitebsk – well, I went to every venue on the UK leg of their tour… So with this being my year of Emma Rice, I simply had to do the same thing for Wise Children.
he beauty of seeing a show several times is that you can take in so many different things across the hours you spend in a theatre with it. With it being Emma Rice (and, let’s face it, Katy Owen) I’d booked four tickets in advance of seeing Wise Children.
So what can be done to make Shakespeare less boring, or prove that Shakespeare isn’t boring (depending on how you look at it)? It does feel to me that we’re in the middle of a golden age of Shakespeare productions.
Choreographer Etta Murfitt spoke to Love London Love Culture’s Emma Clarendon about creating the choreography for Emma Rice’s Wise Children, playing at the Old Vic Theatre before embarking on a UK tour.
Wise Children is a beautifully designed and performed show, that’s faithful to the source material without ever feeling constrained by it – a great statement of intent from Emma Rice.
Now listen carefully’ says the wonderful Gareth Snook, hosting the proceedings as 75-year-old chorus girl Dora Chance in Emma Rice’s Wise Children, ‘or it’s going to be a long evening’.
A big week in London theatre, with three of the most anticipated openings of the autumn: Marianne Elliott’s new production of Stephen Sondheim and George Furth’s 1970 musical Company, Matthew Lopez’s The Inheritance at the Noel Coward and the launch of Emma Rice’s new post-Globe company Wise Children with a show also called Wild Children, at the Old Vic.
Emma Rice’s new residency with The Old Vic opens with her adaptation of the book Wise Children and shares its name with the new company she has founded after the wounding debacle downriver at the Globe.