It’s taken over 30 years for Chess to return to the West End (though it was seen at the Union in 2013) and though it has a huge amount of resource thrown at it in Laurence Connor’s production for English National Opera, it doesn’t necessarily feel worth the wait.
If you can tear your eye away from the mayhem on stage, the surtitles for Iolanthe remind us of the utter brilliance, the absurdism, mad rhymes, unexpected neatness and damn sharp satire which WS Gilbert flung out like a literary Catherine-wheel. Gorgeous. I recant. I regret the years of avoiding G&S.
As it’s the first of the month, we’re taking a brief moment to remind ourselves of the biggest news stories from the month just closed. What were the headlines that got readers clicking most? Any surprises? Our Top 10 News stories from October 2017 are listed below with summaries and links to read more.