Burnt Lemon Theatre’s Tokyo Rose shows that you don’t need a big budget to stage a compelling musical.
‘So many moments which are brilliantly put together’: THE ENTERTAINMENT – Edinburgh Fringe (Online review) ★★★★
Originally planned to be performed live at Summerhall, Katie Bonna’s audio play, The Entertainment, is “about what we carry around inside us”.
‘It captured all of the cheesy elements of the real thing’: The Showstoppers’ Alternative Eurovision Song Contest
During a 90-minute livestream, viewers were treated to some iconic performances from around the world in isolation.
‘Entertaining & thought-provoking bite-sized stories’: Our Walk Through the World – The Water Rats
Our Walk Through the World is a collection of six sharply written, short plays by Ross Howard that highlight some of the absurdities of modern life.
‘In the current climate, a good comedy is worth its weight in gold’: Lost Keys & Orgasms at the Pasty Motel – Canal Cafe Theatre
Mary Jane Figtree’s play is based on the concept of an Italian 90s play called Orgasmo e Pregiudizio. With this, her first play, she has written something that succeeds in being both funny yet emotionally resonant.
‘A must-see for fans of Joseph Conrad’: THE GEMINUS – Tristan Bates Theatre
The Geminus is an atmospheric new play by Ross Dinwiddy and is based on Joseph Conrad’s novella The Secret Sharer. By incorporating a romantic twist, Dinwiddy creates an emotional centre to the piece, which is so important when translating prose to the stage.
More new writing at Camden Fringe: Scenic Reality & Angel
One thing I’m really loving about the Camden Fringe is the breadth of creativity and experimentation. Scenic Reality is a prime example of a fresh piece of new writing that explores different storytelling techniques.
‘Denzil Barnes is magnificent’: RED PETER – Etcetera Theatre
suspect this show will have a future, evolving life, and it is well worth checking out if it appears on your radar. I’d certainly be interested in seeing what they do with it next.
‘Weirdly joyful in a terrible, unnerving, end of Britain kind of way’: BORIS REX – Tristan Bates Theatre
Full disclosure, I was not excited about seeing a show about Boris Johnson. Frankly I’m feeling a tad Boris-ed out these days, but fortunately, given a lively and plentiful audience, not everyone seems to be turned off by the subject matter.
Doubling up at Camden Fringe: When It Happens & Class at Tristan Bates
This year I have the great privilege of getting to cover lots of the Camden Fringe shows, my only regret is that I can’t see them all (literally impossible, so many shows running, Londoners check it out, it is a treasure trove of varied goodies).
‘As someone who wrestles with depression, I’m heartened to see a show like Dust being so positively embraced’: Is there magic in the water at the Trafalgar Studios?
Trafalgar Studios seems to be mopping up the cream of the crop of smaller space transfers. There is definitely magic in the water there at the moment, as I’m seriously pining to see both of the shows they have on: Dust and Arinze Kene’s Misty.
Eight reasons to see Schism at the Park Theatre before it closes on Saturday
It is well worth making the effort to squeeze in a theatre trip this week, if you can. I’ve been raving about this show to anyone who’ll listen, now it’s your turn. If I did star ratings, I’d definitely give Schism 5 out of 5.
How to ensure you always get the best seat in the house
When it comes to booking theatre tickets I’m a bit of a control freak. For my favourite venues, I have definite seating preferences that combine my desire to be as close to the stage as possible and affordable ticket prices.
Looking ahead: theatre in 2018
Today is the first day of a new year, and 2018 is the year I will have to scale back my theatre going (it was getting ridiculous to be fair). So I’m going to have to be a lot more selective about what I see.
An Outsider’s View: Stephanie’s top shows of 2017
As a functioning theatre addict I clocked up 145 different shows in 2017. Which is no mean feat as my amateur status means I paid to see all these shows (as this is an unsustainable addiction, 2018 is gearing up to be much quieter).
THE CIRCUS DIARIES: December’s Circus Scoop
‘Tis the season to be jolly… so what could be more jolly than a trip to see some circus? Here’s our video round up, with some holly on top!
‘A rollicking good night out’: LA SOIREE – West End
I’ve been thinking a lot lately about the sensuous experience of watching a circus show, and how reviews – coming generally from a theatrical tradition – usually privilege the conceptual meaning of a production over the sensational meanings written through our physiological responses. This is an attempt not to do that!
Shakespeare unbound: My love for Lear
It remains my favourite of Shakespeare’s plays (Much Ado leading as my favourite of his comedies) and I have avidly collected productions the way others might collect stamps.
Text of the Day: Max Stafford-Clark on British theatre
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
Passion for the Park: My evening with Ian McKellen
Last Friday night I had the great pleasure of seeing Ian McKellen’s show at the Park Theatre, followed by tapas with the fabulous man himself. It was a wonderful night from start to finish.
- Page 1 of 2
- 1
- 2