Katori Hall teams up once again with director James Dacre to present the extraordinary Our Lady of Kibeho, a study on belief that is at once universal and deeply personal, while also scrutinising the communal seeds of warfare.
Director Jude Christian’s othellomacbeth, two-for-one offer on Shakespearean tragedies at the Lyric Hammersmith, sounds like a bad idea. Crammed into two and half hours, there’s too much material and too little time. And yet, somehow, they manage to pull it off.
Plays for poor theatre: in Brexit Britain, once we’re reduced to eating rats whilst clutching our blue passports, a Shakespeare mashup may seem like a doubly good idea – patriotic and economical. Like May’s Brexit, Othellomacbeth still needs a bit of work.
By exposing the dire consequences that arise from the misuse of power in relation to two of Shakespeare’s plays, HOME and Lyric Hammersmith have produced an innovative piece of theatre that deserves the utmost acclaim and remembrance for its sheer creativity and ambition.
Peter Brook revisits The Mahabharata with more philosophy than politics, and with a perfection that ultimately feels chilly.