Yes So I Said Yes, written by Cyprus Avenue’s multi-award-winning author David Ireland, receives its British premiere this month at London’s Finborough Theatre, in a limited season running from 23 November to 19 December 2021. Time to get booking!
‘It’s refreshing to see Australian writing on the London stage’: THE SUGAR HOUSE – Finborough Theatre ★★★
Nobody who sees this award-nominated Australian drama is likely to accuse playwright Alana Valentine of lacking ambition.
‘An enjoyable evening, superbly acted’: HOW TO SURVIVE AN APOCALYPSE – Finborough Theatre ★★★
Jordan Hall’s multi-award-winning Canadian comedy, in a smart staging by Proud Haddock artistic director Jimmy Walters, is so engaging you don’t really need a glass of overpriced wine to enhance your experience.
‘Intriguing revival’: MASKS & FACES – Finborough Theatre (Online review)
This is Masks And Faces (full title: Masks And Faces or Before And Behind The Curtain) his 1852 play set in the world of the theatrical profession which the Finborough rediscovered and produced in 2004 and is now being presented as a recorded Zoom reading.
‘Chance for a wider audience is undoubtedly a good thing’: LEATHER – Finborough Theatre (Online review)
The Finborough Theatre’s latest show to hit the ether is Leather which is now available on demand. It is a play which isn’t for the faint hearted and comes trailing clouds of notoriety as one of the first plays (if not THE very first) to highlight male rape, domestic violence and sado-masochism within the gay community.
‘As much about life as it is death’: A Brief List Of Everyone Who Died – Finborough Theatre (Online review)
Quite apart from its quirky title, A Brief List Of Everyone Who Died, what immediately strikes the viewer is the elegance of the structure of this piece from American writer Jacob Marx Rice.
FEATURED POST: Mercurius Theatre’s Jenny Eastop looks forward to an exciting collaboration as director & producer with S&S Theatre Productions
Jenny Eastop, the multiple Offie-nominated director and producer for London-based Mercurius Theatre, will be playing a vital role in the transformation of the prestigious S&S Award into S&S Theatre Productions, dedicated to producing radical new musical theatre with partnerships between the UK and the USA.
‘Introduces an interesting new voice to the industry’: PLAYFIGHT – Finborough Theatre (Online review)
Julia Grogan’s Playfight, the winner of the 2020 ETPEP Award, is given a rehearsed reading online directed by Blanche McIntyre.
‘A significant achievement of this third lockdown’: Late Night Staring at High Res Pixels – Finborough Theatre (Online review)
When we left 1 and A in Episode 14 of Athena Stevens’ Late Night Staring at High Res Pixels they were both in some kind of moral and emotional jeopardy, and it seemed appropriate on International Women’s Day to return to this nuanced and considered exploration of female agency, solidarity and behaviour.
‘A dense & intense piece of work’: Late Night Staring at High Res Pixels – Finborough Theatre (Online review)
Late Night Staring At High Res Pixels is a dense and intense piece of work which examines the interplay of relationships but leaves the audience to come to its own conclusions about the motivations and intentions of the characters.
‘You’ll be eager to find out what happens next’: Late Night Staring at High Res Pixels – Finborough Theatre (Online review)
Late Night Staring at High Res Pixels has already become a gripping anatomy of relationships and the attempts to manipulate two quite different women.
NEWS: OffWestEnd announces 47 finalists for its Offies Awards 2021
OffWestEnd announces 47 finalists for its Offies Awards 2021, across 15 categories, covering 24 venues across London.
‘Directed with a sense of passion & integrity’: S-27 – Finborough Theatre (Online review)
The Finborough is to be congratulated for delving back and finding thought-provoking piece S-27 to release and extend its winning run of past triumphs.
‘The acting is uniformly good’: S-27 – Finborough Theatre (Online review)
With S-27, the Finborough once again punches well above its weight, making another compelling contribution to the brave new world of streamed theatre.
’Has a ring of truth to it’: S-27 – Finborough Theatre (Online review)
To all the artistic directors out there, let’s have more plays like S-27 at the Finborough Theatre that have something to say about the world today.
‘Paul Kennedy gives a performance of note’: CONTINUITY – Finborough Theatre (Online review)
Continuity is just one of the online plays available from the Finborough Theatre’s repertoire. It is not an easy watch but has many important points to make about political and personal beliefs and is a worthy addition to the theatre’s growing roster of material which challenges and provokes.
‘A musical makeover that is far from obvious’: ADDING MACHINE – A MUSICAL – Finborough Theatre (Online review)
Finborough Theatre’s latest online offering is Adding Machine: A Musical, based on the American expressionist classic of the 1920s by Elmer Rice.
‘He roams the stage like a cornered bear growling & spitting with fury’: DEATH OF A HUNTER – Finborough Theatre (Online review)
Edmund Dehn is great in Death of a Hunter as Ernest Hemingway, the role of a 20th century icon who lived and died explosively.
‘Beautifully conveys its emotional & political charge’: SCROUNGER – Finborough Theatre (Online review)
The bright colours of the performance underline the surrealism of Scrounger’s quest for justice, and Athena Stevens, the first actor in a wheelchair nominated for an Offie, performs her story brilliantly.
‘Knows what it wants to say’: JANE CLEGG – Finborough Theatre (Online review)
Jane Clegg falls into the category of a well-made play of three acts and is none the worse for that. Its elegant structure and growing sense of tension make it an absolute pleasure to watch.