At this year’s annual HighTide Festival in Aldeburgh, Suffolk, I was privileged to chair an hour-long “In Conversation With” platform discussion with legendary director Deborah Warner, reflecting on nearly 40 years in the business.
A weekend in Suffolk at the HighTide Festival is a treat. An even bigger treat? Combining it with this opportunity to chair an event with one of the country’s leading directors, of whom I’ve long been an admirer.
Polly Findlay’s fluent production of The Prime of Miss Jean Brodie avoids the fluting exaggerations of some previous versions and tells the story with a fine appreciation of its grounding in the needy emotions of all concerned.
The first surprise in Fiona Shaw’s off-piste production is the all-white revolving maze of a set, peopled by such a troupe of bowing and scraping servantry – alternately linen-folding, bread-baking and boot-polishing – that we could have landed at Downton Abbey. Instead we’re pleasingly detached from time and place in a bravura attempt to modernize the […]
The post Review: The Marriage Of Figaro (London Coliseum) appeared first on JohnnyFox.