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Review: The Marriage Of Figaro (London Coliseum)

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The first surprise in Fiona Shaw’s off-piste production is the all-white revolving maze of a set, peopled by such a troupe of bowing and scraping servantry – alternately linen-folding, bread-baking and boot-polishing – that we could have landed at Downton Abbey. Instead we’re pleasingly detached from time and place in a bravura attempt to modernize the […]

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