Annie Washburn’s new play Shipwreck is intended as a reckoning with Trump. The show pitches itself as a invitation to dinner with the 45th President, but unfortunately would be better described as an evening of meandering chat with a cast of confused New York liberals.
‘Only marginally entertaining’: SHIPWRECK – Almeida Theatre
Anne Washburn’s latest offering, Shipwreck, is a marathon play at the Almeida Theatre that takes direct aim at the Trump Administration.
REVIEW ROUND-UP: Shipwreck at Almeida Theatre
Love London Love Culture rounds up the reviews for Rupert Goold’s production of Shipwreck, playing at the Almeida Theatre until 30 March 2019.
‘Fails to offer any notable or really new insight’: SHIPWRECK – Almeida Theatre
Shipwreck has its moments and the cast are uniformly excellent, but without strong character investment it dwindles to little more than a few well-hashed arguments we’ve all heard before.
NEWS: Full cast is announced for world premiere of Anne Washburn’s Trump comedy Shipwreck at the Almeida
The Almeida Theatre has announced the full cast for the world premiere of Shipwreck by Anne Washburn (The Twilight Zone, Mr Burns), directed by the venue’s artistic director Rupert Goold, running from 12 February to 30 March 2019 (press night is 19 February).
‘Okonedo more than delivers’: ANTONY & CLEOPATRA – National Theatre ★★★★
Or Cleopatra and Antony as it turns out. Ralph Fiennes is plenty good in Simon Godwin’s modern-dress production of Antony & Cleopatra for the National Theatre, but Sophie Okonedo is sit-up, shut-up, stand-up amazing.
‘Delivers on so much of its promise’: Antony & Cleopatra – National Theatre
After a genuinely exhilarating Julius Caesar at the Bridge Theatre a few months ago, Shakespeare’s subsequent tale Antony and Cleopatra has arrived at the National starring Ralph Fiennes and Sophie Okonedo.
‘A superlative production’: THE WAY OF THE WORLD – Donmar Warehouse
This is a stylish, yet thoroughly accessible, production that is full of energy and a joyous satirical thrust that never obscures the real human emotions at the story’s core. Let’s hope that this production is the first of many Restoration revivals.
‘A full period-dress production, executed immaculately’: THE WAY OF THE WORLD – Donmar Warehouse ★★★★
This is a full period-dress production, executed immaculately but probably needing another few cuts to be unalloyed joy. The plot is labyrinthine, with a wordy torrent of finely honed wit and derision, fuelled by greed more than love.
‘Plenty of potential here’: THE WAY OF THE WORLD – Donmar Warehouse
The Donmar’s new version of William Congreve’s play has plenty of musings on marriage and the role of women which still feel extremely pertinent; it just needs to even out the tone to make this restoration comedy really fizz.
Haydn Gwynne replaces Linda Bassett in The Way of The World at the Donmar Warehouse
Haydn Gwynne will be playing the role of Lady Wishfort at the Donmar Warehouse in James Macdonald’s new revival of William Congreve’s Restoration comedy The Way of The World, replacing Linda Bassett who has had to withdraw from the production.
FosterIAN Awards for Best Supporting Actor in a Play + in a Musical
To pick someone out of this prodigiously talented ensemble almost feels unfair, but Ellams’ narrative did repeatedly land on Peckham and the contested ownership of that salon was given blistering power by Akinade’s Samuel, bristling under the control of pseudo-father figure Emmanuel.
BARBER SHOP CHRONICLES – National Theatre
That it is sold out shouldn’t stop you from trying to get tickets – there’s Friday Rush and there’s refreshing this page in case of returns, and boy is it worth it.
Nowt so queer as folk: Recapping the National Theatre’s queer theatre season
It feels important to recognise what the NT (and the Old Vic) were trying to achieve, though. Queer Theatre looked “at how theatre has charted the LGBT+ experience through a series of rehearsed readings, exhibitions, talks and screenings” and if only one looked at lesbian women, two of the readings were written by women.
Queer Theatre at the National: The Drag
Mae West wrote The Drag in 1927 where its frankness about gay lives (and once again, drag ball culture!) scandalised its out-of-town Connecticut and New Jersey audiences so that it never made it to Broadway.
BARBER SHOP CHRONICLES – National Theatre
Black theatre used to be one of most creative aspects of contemporary British drama. But recently a lot of the impetus behind plays by black playwrights seems to have dried up. The great names of the past couple of decades are either silent, or, which is worse, merely repeating themselves.
BARBER SHOP CHRONICLES – National Theatre
The hugely convivial pre-show entertainment for Barber Shop Chronicles is such good fun that I thought to myself I could easily just watch this for an hour. As it turned out, press night delays meant that it was extended by about thirty minutes, during which you really got to appreciate how quietly radical it is.
SAINT JOAN – Donmar Warehouse
Modern-dress revival of wordy George Bernard Shaw classic is a tour de force for Gemma Arterton.
SAINT JOAN – Donmar Warehouse
Through the trial and its aftermath, the production soars, mainly on the strength of Arterton’s superlative performance. A woman alone, literally so in this all-male company.