British theatre’s determination to adopt Florian Zeller as one of its own continues unabated as the Kiln Theatre’s production of The Son transfers into the Duke of York’s for the autumn.
This portrayal of contemporary family life dealing with depression is honest and believable in The Son, yet there’s a cold judgement underpinning it.
Brilliantly and emotionally engagingly translated by Christopher Hampton, Florian Zeller’s The Son is a piece of writing that draws you in from the start and never relinquishes its hold until the very end.
The Son is akin to a beautifully composed piece of music. A perfect balance of light and shade with an inevitable surge to a heart thumping climax.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
Michael Longhurst directs the UK premiere of Florian Zeller’s play The Son. Love London Love Culture rounds up the reviews…
The final episode of Florian Zeller’s domestic trilogy, The Son, is powerfully, even melodramatically, effective.
There is a heartbreaking inevitability to Florian Zeller’s play The Son which is currently on at the Kiln Theatre. Nicolas (Laurie Kynaston), a once bubbly teenager, has become withdrawn since his parent’s divorce. He lies, skips school and his behaviour has started to frighten his mother Anne (Amanda Abbington).
As the world première of Ishy Din’s Approaching Empty opens at Kiln Theatre, the company’s artistic director Indhu Rubasingham has announced the casting for the UK première of Florian Zeller’s The Son, in a translation by Christopher Hampton. Michael Longhurst directs Amanda Abbington, Laurie Kynaston, John Light, Oseloka Obi, Amaka Okafor and Martin Turner. The production opens on 26 February 2019, with previews from 20 February, and runs until 6 April.
Mark Shenton offers the week’s news, reviews, quotes and tweets in theatre from both sides of the Atlantic, including an interview with Sonia Friedman, reviews of Shakespeare in three different abbreviated versions, and a YouTube star appearing on Broadway.
Jonathan Pryce and Eileen Atkins star in Christopher Hampton’s adaptation of Florian Zeller’s play The Height Of The Storm at the Wyndham’s Theatre. Love London Love Culture rounds up the reviews…
Florian Zeller’s new play The Height Of The Storm at Wyndham’s Theatre is as enigmatic as it is engaging. Even the title confounds.
After huge UK successes with The Father, The Mother, The Truth and The Lie, now comes Florian Zeller’s The Height of the Storm, once again in the limpid, easy-on-the-ear translation of Christopher Hampton.
In The Height Of The Storm, faultlessly directed by Jonathan Kent, the strangeness and pathos are extreme. Because though indeed Jonathan Pryce’s patriarch is in rising dementia, and Eileen Atkins his living – or dead – wife, the theme above all is love: settled, interdependent, half-century devotion.
Such pleasure in watching Jonathan Pryce and Eileen Atkins onstage plus The Height of the Storm at the Wyndham’s Theatre is great for post-show reconstruction of this deconstructed story.
Unsuccessful West End outing for Dawn King’s intriguing and evocative 2011 dystopian chiller.
Amanda Drew, Lucy Cohu and Patrick Melrose star Anna Madeley will join star of screen and stage Jonathan Pryce and three-time Olivier Award-winning Eileen Atkins in the UK premiere of new family drama The Height of the Storm by Florian Zeller, at Wyndham’s Theatre from Tuesday 2 October.
With Mapping Brent running at venues across the local community, artistic director Indhu Rubasingham has announced the opening season at the company’s newly refurbished theatre, which sees the Tricycle Theatre relaunch as Kiln Theatre.
Jonathan Pryce and Eileen Atkins will star in The Height of the Storm, a new play by Florian Zeller, the internationally acclaimed writer of The Father.
British theatre’s amour fou for Florian Zeller continues apace with another of his comedies making it over to London but are we approaching diminishing returns as we delve deeper into his back catalogue?