Wild eyes, grasping hands, looks of abject fear – they’re all there in the production images for Trial of Love , the new supernatural comedy currently running at the Bread & Roses Theatre. Take a look, if you dare, then book your tickets!
Finding humour in darkness and exploring the meeting of Eastern and Western influences – watch the young cast of HiddenViewz new production Trial of Love discussing the new play. Time to get booking!
Otherworldly entities interfere with the life of a successful Chinese businessman in Trial of Love, the new production from company HiddenViewz, which comes to the Bread & Roses Theatre next week. Book your tickets now!
The comic and the personal meld beautifully in this honest and heartwarming show, Carly Jurman’s Unlovable.
Tom Lenk is Trash is trash. That’s not even a cruel review, it’s literally what he told me to say. And after seeing the show, I am not going to be so stupid as to say anything he doesn’t want me to.
Our Walk Through the World is a collection of six sharply written, short plays by Ross Howard that highlight some of the absurdities of modern life.
The Geminus is an atmospheric new play by Ross Dinwiddy and is based on Joseph Conrad’s novella The Secret Sharer. By incorporating a romantic twist, Dinwiddy creates an emotional centre to the piece, which is so important when translating prose to the stage.
The Paines Plough Roundabout is the most reliable, new writing venues at the fringe. With a collection of work that represents the width and breadth of the UK both geographically and thematically, this year’s offerings are universally strong.
One thing I’m really loving about the Camden Fringe is the breadth of creativity and experimentation. Scenic Reality is a prime example of a fresh piece of new writing that explores different storytelling techniques.
Guided by a web app, participants have 80 minutes to earn as much money as possible by answering cryptic puzzles. They must choose what equipment to spend their cash on before returning to the meeting place.
suspect this show will have a future, evolving life, and it is well worth checking out if it appears on your radar. I’d certainly be interested in seeing what they do with it next.
Full disclosure, I was not excited about seeing a show about Boris Johnson. Frankly I’m feeling a tad Boris-ed out these days, but fortunately, given a lively and plentiful audience, not everyone seems to be turned off by the subject matter.
This year I have the great privilege of getting to cover lots of the Camden Fringe shows, my only regret is that I can’t see them all (literally impossible, so many shows running, Londoners check it out, it is a treasure trove of varied goodies).
Teddies, wine and microwave meals – the rehearsal images for My Name is Cathy paint a picture of trying to comfort yourself, which is unsurprising given the play follows a teacher looking back at when everything went wrong. Book your tickets now.
Darkly comedic rise and fall story, My Name is Cathy, which follows a teacher who had it all as she looks back on how it slipped away, comes to the Chapel Playhouse next month as part of the Camden Fringe. Time to book your tickets!
Musically the show is lovely, but Fiver sadly feels much more in the past than it should, and for a show that is meant to showcase snapshots of all different people’s lives, lacks any significant diversity at all.
Phosphoros Theatre Company platform immigrants and refugees’ stories using comedy, narration and pathos in Pizza Shop Heroes.
The relaxed vibe of Exceptional Promise that encourages audience reaction is hugely refreshing, especially as the topic is one that unites people against a common evil.
Garry is a play that deserves to be staged again, and to be considered part of the canon of gay plays. Its homophobia and self-repression are a hard watch and could certainly be triggering for some, but it’s a searing look at the consequences of oppression and discrimination.
Does My Bomb Look Big In This? points out that in a world where sensationalist headlines are brandished as political weapons, it is easy to forget that behind them, there are real people who are just as often victims of powerful, discriminatory systems as they are perpetrators of other systems’ ideologies.