Visit Bethlehem is a short, sharp, site-specific show which imaginatively blends fun into a personal tale about the brutal reality of living under military occupation.
As a child of an immigrant mother, the double-bill is Lòng Mẹ like a beloved jumper that’s scratchy but warm, you embrace the small pains because the comfort and love is so much stronger.
Breffni Holahan delivers Margaret Perry’s script for Collapsible with an unrelenting energy that starts high and reaches stratospheric levels.
Dad’s Army Radio Show is every bit as quaint as Godfrey’s sister’s cucumber sandwiches and every bit as cosy and comfortable as one of Pike’s scarves.
Through movement, moments of perfect clowning, and almost-unending feasting, the Drop Dead Gorgeous ensemble transpose the female experience and made it a tangible thing that you feel you could physically wrestle with.
Push is a one-woman show centred on one woman’s story, and its sense of universality will be welcome to those who experience the pressure to have, or not have, children.
If a piercing performance of the mind is something you are after, you will not be disappointed with VOiD at the Vault Festival, London.
Whilst the script for Faces In The Crowd demands unwavering focus and attention in order to not get lost, women’s individuality, voice and their suppression by patriarchal systems are profoundly resonant.
I Wanna Be Yours at the Bush Theatre speaks to younger and older people navigating an unjust world, and reminds the privileged among us of the constant learning we have to do.
Homing Birds is a rich and evocative play that is well worth seeing.
The reverence Claudio Macor clearly has for the history he is sharing comes through strongly and adds to the overall emotional impact of the play. I defy anyone not to be moved by Dr Magnus Hirschfield’s passion and commitment to changing the world for gay men.
Seeing a group of trans and non-binary people claim space like this in We Dig at Ovalhouse and openly share and reflect on the lives of trans people past and present is beautiful and important.
Wild eyes, grasping hands, looks of abject fear – they’re all there in the production images for Trial of Love , the new supernatural comedy currently running at the Bread & Roses Theatre. Take a look, if you dare, then book your tickets!
Finding humour in darkness and exploring the meeting of Eastern and Western influences – watch the young cast of HiddenViewz new production Trial of Love discussing the new play. Time to get booking!
Otherworldly entities interfere with the life of a successful Chinese businessman in Trial of Love, the new production from company HiddenViewz, which comes to the Bread & Roses Theatre next week. Book your tickets now!
The comic and the personal meld beautifully in this honest and heartwarming show, Carly Jurman’s Unlovable.
Tom Lenk is Trash is trash. That’s not even a cruel review, it’s literally what he told me to say. And after seeing the show, I am not going to be so stupid as to say anything he doesn’t want me to.
Our Walk Through the World is a collection of six sharply written, short plays by Ross Howard that highlight some of the absurdities of modern life.
The Geminus is an atmospheric new play by Ross Dinwiddy and is based on Joseph Conrad’s novella The Secret Sharer. By incorporating a romantic twist, Dinwiddy creates an emotional centre to the piece, which is so important when translating prose to the stage.
The Paines Plough Roundabout is the most reliable, new writing venues at the fringe. With a collection of work that represents the width and breadth of the UK both geographically and thematically, this year’s offerings are universally strong.