Adapted by Geoff Aymer (the writer of last year’s excellent production The Wonderful), with Theatre Peckham’s artistic director Suzann McLean once more at the helm as director, Scroogelicious re-imagines the miserly protagonist as a property developer responsible for the gentrification of Peckham.
The thing is, you can’t fault the acting in Jitney at the Old Vic – the actors are superb. And Tinuke Craig’s expert direction means the cab office setting doesn’t feel static or forced. But the play takes a long time to get to the interesting stuff and then leaves a lot hanging.
Jitney, revived at the Old Vic in a production by Tinuke Craig, is a piece that took the best part of 40 years to make it to Broadway in late 2016 after decades of smaller productions around America and at the National Theatre in 2001. Part
The whole creative and production team involved in Original Theatre Company’s Apollo 13: The Dark Side Of the Moon can be rightly proud of a superb job which really pushes at the frontiers of online drama.
While Original Theatre’s Apollo 13: The Dark Side of the Moon is largely filmed in the homes of actors, the audience is taken straight into the interior of the spacecraft as a mission which seems routine goes badly wrong.
Kerry Ellis will star as Gwendolen, her first non-singing role, at selected venues in the 2018 UK tour of Oscar Wilde’s The Importance of Being Earnest.
Joe Hill-Gibbins’ idiosyncratic 2015 take on Measure for Measure filled the Young Vic with inflatable sex dolls so it should come as little surprise that for his A Midsummer Night’s Dream, he and designer Johannes Schütz have transformed the stage into a muddy paddock.