The principal cast for the return of Les Misérables – The Staged Concert at London’s Sondheim Theatre on 20 May 2021 will be Jon Robyns as Jean Valjean, Bradley Jaden as Javert, Lucie Jones as Fantine, Gerard Carey as Thénardier, Josefina Gabrielle as Madame Thénardier, Shan Ako as Éponine, Harry Apps as Marius, Jamie Muscato as Enjolras and Charlie Burn as Cosette, with Dean Chisnall playing the role of Jean Valjean at certain performances.
Performances of Les Misérables – The Staged Concert will resume performances at the the Sondheim Theatre on 20 May 2021, booking to 5 September 2021. Patrons whose bookings were affected by the Government’s previous directives will be contacted from today.
Love London Love Culture rounds up the reviews for the newly opened production of Les Misérables.
Ian Hughes who recently took over the role of Thénardier to great acclaim in the current sell-out UK and international tour of Les Misérables will now join the London company to partner Josefina Gabrielle.
Matt Lucas will step in to play the role of Thénardier in the new production of Les Misérables at the newly refurbished Sondheim Theatre in the West End where performances began on 18 December 2020.
Cameron Mackintosh has announced casting for Boublil and Schönberg’s Les Misérables at the newly restored Sondheim Theatre, when the theatre re-opens on 18 December 2019 following its major renovation.
David Edgar’s adaptation of A Christmas Carol, directed as last year by Rachel Kavanaugh, gives the old story of ghosts and redemption deft additions and expanded scenes
Is there such a thing as sheer theatrical joy? Yes, there is, and it comes from an unexpected source: Kwame Kwei-Armah and Shaina Taub’s musical adaptation of Twelfth Night at the Young Vic.
The full cast has been announced for the West End transfer of Joe Murphy and Joe Robertson’s The Jungle, a National Theatre and Young Vic co-production with Good Chance Theatre, directed by Stephen Daldry and Justin Martin.
This year’s seasonal offering in the Royal Shakespeare Theatre is a grand affair as David Edgar (it was he who famously adapted Dickens’ Nicholas Nickleby for the company back in 1980) tackles A Christmas Carol.
‘Tis the season to remember those less fortunate than ourselves and David Edgar’s stirring new adaptation of Charles Dickens’ A Christmas Carol, for the Royal Shakespeare Company, doesn’t stint on political rhetoric.
As A Spoonful of Sherman, a tribute to three generations of Sherman family music, including childhood classics by the Sherman Brothers, continues Live at Zedel until 20 August 2017, Ian Foster reviews related albums.
It was no surprise to discover that Half A Sixpence would be transferring into the West End – its run at Chichester Festival Theatre was a huge success and with Cameron Mackintosh on producing duties, it was always going to be a case of when rather than if. It’s a slow-burner of a show, the second act really is the business thanks to Andrew Wright’s choreography.
As the Shrek UK tour draws to a close, it was fun to catch up with the show’s final week at Manchester’s Lowry Theatre. Long long ago, before Shrek became a stage musical, it was an award winning DreamWorks movie that stole the hearts of adults and children alike. Upon its release in 2001, Shrek won the first ever Academy award for Best Animated Feature, as well as receiving countless nominations at the BAFTAs and Golden Globes.
★★★★ There are enough inventive designs and well-honed performances about Shrek the Musical to ensure that it hits the spot.
Take a blockbuster movie, add a bunch of songs and some sparkly costumes and stick it on a stage… A tried and tested recipe for success and one that seems to be a guarantee of success. It certainly didn’t hurt Shrek when that landed in the West End and tickets flew out of the box office. Now the show is heading out on tour around the UK and we made our way to the Mayflower to check it out.
If like me you enjoyed the films of Shrek and saw it in the West End, then you to will enjoy this.
It has everything, colourful costumes and sets. Humour, a few songs and more humour. This ogre has a big heart and Dean Chisnall continues to play it perfectly.