Despite its absurdist style, Pass Over is a political play whose message is indisputable. The evening is a powerful mixture of male camaraderie, brutality and almost casual defiance.
The stage version of Andrea Levy’s classic Windrush story is a fun epic that takes ages and ages to warm up.
Andrea Levy’s novel Small Island comes to life most beautifully in this adaptation by Helen Edmundson at the National Theatre.
Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre, as part of the National Theatre’s new season.
To pick someone out of this prodigiously talented ensemble almost feels unfair, but Ellams’ narrative did repeatedly land on Peckham and the contested ownership of that salon was given blistering power by Akinade’s Samuel, bristling under the control of pseudo-father figure Emmanuel.
No matter the weather, as you walk into the Lyttelton’s auditorium for Pinocchio, you’ll find that it is snowing. A simple trick but one that inspires just the right childlike wonder for an adaptation of such a popular fairytale.
And what an excruciating, yet devastatingly brilliant, two hours they are. The play shows episodes from the life of the women of one family spread over three time periods: one starts in the 1970s, the next in the 1990s and the third in the 2030s.
Love, we know, will tear us apart again. And again. And yet again. It will shred our nerves and rip through our guts; it will fill us with anguish, and then douse us in regrets.
debbie tucker green’s a profoundly affectionate, passionate devotion to someone (-noun) comes with all the gnomic but still conversational energy of her best writing.
The Royal Court Theatre has announced that Gary Beadle, Gershwyn Eustache Jnr, Lashana Lynch, Shvorne Marks and Meera Syal have been cast in new play a profoundly affectionate, passionate devotion to someone (-noun).