Street Scene is an enjoyable production with outstanding performances from the cast and its diverse and reflective music accommodating the reality of living in a tenement in the 1940s.
Opera North’s production of Rodger and Hammerstein’s Carousel is a curious combination of drama, dance and song that on occasion both hits and misses the mark.
Meant to be a story about love, loss and redemption, this version feels more like a story about anger, resentment and possibly the glorification of domestic abuse.
Opening on a busy fairground scene, we meet the protagonists of the tale: fairground barker Billy Bigelow played by Keith Higham and millworker Julie Jordon, played by Gillene Butterfield. Among the magic of the carousel – and it really is a magical and stunningly visual set designed by Anthony Ward – Billy and Julie seemingly fall in love, losing both of their jobs in the process.