And so here it is… my top 10 musicals of the decade. It turned out to be a slightly emotional journey. But it turns out musicals meant a lot in that time and I’ll fight anyone who says musicals aren’t a serious artform.
As the West End production of Lin-Manuel Miranda’s HAMILTON enters its third year at the Victoria Palace Theatre, new casting has been announced and further tickets have been released, with bookings now being taken through to 28 March 2020.
Society of London Theatre (SOLT) and UK Theatre have released data for ticket sales across their member venues in 2018. The figures reveal a combined audience of over 34 million and ticket revenue of nearly £1.28 billion, from a total of 62,945 performances over the course of the year in the West End and across the UK.
“The inheritance of wisdom, community and self” – Matthew Lopez. Each year, around March, I think of a brilliant way to start the Best of the Year list. Each year, around December, I forget it. In the year when football nearly came home and the UK has been stuck on a political pause, theatre has been the lodestar.
Normally I do two of these – Top Ten Shows and Top Ten Performances – but this year I’m combining the two – plus some sundry other awards.
The winners of the 64th Evening Standard Theatre Awards have been announced, with double wins for the National Theatre’s Antony & Cleopatra and the West End productions of Company and Hamilton.
The Hamilton track ‘The Room Where It Happens’ stands up well as a track to listen to on the cast recording, but something really special happens when you watch it being performed.
The shortlist for the 64th Evening Standard Theatre Awards has been unveiled. The winners will be announced on Sunday 18 November at the Theatre Royal, Drury Lane.
News, reviews, interviews and farewells of the week in London, New York and the regions, including social media influencers, Pinter in the West End and more.
Ten new cast members will be joining the London company of Hamilton which is going into its second year at the Victoria Palace Theatre. The production is booking to 30 March 2019.
Hamilton (Lewis) by Fiona English and David Eaton, freshly returned from Edinburgh to the King’s Head, tells the somewhat less epic story of – you guessed it, British Formula 1 star Lewis Hamilton.
Mark Shenton rounds up the latest news, reviews, podcasts and more from London and Broadway, including Prince Harry at Hamilton and Lin-Manuel Miranda at Southwark Playhouse.
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If Lin-Manuel Miranda takes six years from first song to full show for Hamilton, then it encourages me greatly when I keep telling new writers and new creative to take their time.
So if this period of American history doesn’t potentially have a wide appeal, in the first instance, and the context is a major British loss… Why is Hamilton so popular and so relevant to Britain today?
It’s an amazing time for diversity of style in “musicals” on both sides of the pond. Hamilton’s hip-hop, street poetry, storytelling, David Yazbek’s middle-eastern infused charmer The Band’s Visit, Jeanine Tesori’s Fun Home (newly arrived at London’s Young Vic while her dazzlingly original Caroline Or Change plays at the Playhouse Theatre).
A new booking period for the London production of Hamilton will go on sale on Monday 4 June 2018 at 12 noon GMT.
The Menier Chocolate Factory has announced the UK premiere of Gerard Alessandrini’s Spamilton which opens at the theatre on 24 July 2018, with previews from 12 July and runs until 8 September.
Cast members from the West End’s longest-running musical, The Phantom of the Opera, were hailed the stars of West End Eurovision 2018, scoring a remarkable double victory.
The post West End Eurovision appeared first on Carns Theatre Passion.
So, that just happened! Despite some small disappointments in the nominations (nothing too much, just some things felt unnecessarily overlooked), I was rather looking forward to this year’s Oliviers.