Sean Mathias has been appointed as the first artistic director of Theatre Royal Windsor where, starting in 2020, he will programme and annual summer season of new stage productions.
The National Theatre has announced its programme of productions between December 2019 and June 2020, including Simon Godwin directing Romeo & Juliet with Josh O’Connor and Jessie Buckley.
How many times can an actor get drunk onstage without becoming unemployable? As one of the longest-serving members of Shit-faced Shakespeare, Saul Marron has lost count – but it hasn’t done his career any harm. While starring as Claudius in Hamlet, he can also currently be seen onscreen in Gentleman Jack and The Current War. We caught up with him about his shit-faced track record. Time to get booking!
I love the ludicrous concept of the Shit-faced Shakespeare shows. Having now experienced one first-hand, I can report that Shit-faced Hamlet is a genuine joy to watch, an evening of broken boundaries, teasing, audience participation, endless laughter and spontaneity. Highly recommended!
Does drinking impair reviewing? We’ve rounded up the raves for Shit-faced Shakespeare’s latest hart-drinking offering: the Magnificent Bastards’ “hilarious” and “delightfully rude” take on Hamlet is now on at London’s Leicester Square Theatre. Time to get booking!
I really enjoyed Sh!t-Faced Shakespeare’s Hamlet and I look forward to seeing others in their repertoire in future.
This year the Magnificent Bastards have given the shit-faced treatment to Shakespeare’s The Taming of the Shrew and, opening tonight (21 June 2019), Hamlet onstage. And here are a few more they’ve done onscreen. Enjoy this hysterical Shit-faced series – and then get booking the drunken thespians live at Leicester Square Theatre.
How many Shit-faced shows have you seen? 2019 marks the biggest-ever Shit-faced season at their London home base at Leicester Square Theatre. This week, Shit-faced Shakespeare: Hamlet follows Shit-faced Showtime: Oliver with a Twist and The Taming of the Shrew. Here’s a reminder of all the drunken fun to date. Time to booking for round three!
The Shitfaced-Shakespeare® crew are finally ready to tackle the greatest dramatic work ever committed to the page in the English language: Hamlet. The latest in their internationally successful series of drunken bard plays is also the third offering in the company’s 30-week 2019 residency at London’s Leicester Square Theatre. Time to get booking!
Highlights of Young Vic artistic director Kwame Kwei-Armah’s programme for 2020 include Cush Jumbo making her Young Vic debut as Hamlet and Academy Award-nominee Ruth Negga as Portia in Marina Carr’s haunting play Portia Coughlan.
This production of Hamlet asserts itself as the authentic, entertaining and thrilling rendition that it consciously aims to be.
Europe’s first ever pop-up Shakespearean Theatre – Shakespeare’s Rose Theatre – has announced its expansion for 2019 with a summer residency of nine weeks at Blenheim Palace in Oxfordshire.
To see or not to see? That is the question. But this is a hilarious take on Shakespeare’s famous Hamlet, but not as you or I know it.
West Yorkshire Playhouse today announced it will change its name to Leeds Playhouse. The name change marks a new chapter in the theatre’s 50-year history.
Though there are plenty of positive elements across As You Like It and Hamlet, they don’t cohere as part of an over-arching style or concept.
This production of Hamlet is a key moment in Michelle Terry’s new role as artistic director of the Globe, after the less than happy departure of Emma Rice. And power to her:
A strong opening gambit then from Michelle Terry with As You Like It and Hamlet, and one which makes me quietly excited for her tenure as she further explores how inclusive Shakespeare can be for audiences both old and new.
Shakespeare’s Globe has announced casting for Hamlet and As You Like It, the opening shows of Michelle Terry’s first season as artistic director.
So, that just happened! Despite some small disappointments in the nominations (nothing too much, just some things felt unnecessarily overlooked), I was rather looking forward to this year’s Oliviers.
Paapa Essiedu’s Hamlet is likely to be remembered and talked about in years to come and Simon Godwin’s production is a beautifully accessible performance of a perfect play.